Inside the mind of Harry Redknapp
by John Crace
Constable Books, £18.99
Reviewed by Jonathan O’Brien
From WSC 318 August 2013

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A little over a year ago, Harry Redknapp had it all. Spurs were well on course for a Champions League place, Redknapp himself had won his courtroom battle with the taxman and he was in pole position for the England job. And if he didn’t get the latter, he had a contingency plan for the summer: a lucrative and cushy slot analysing Euro 2012 for the BBC.

Other than the tax case, none of it worked out. Spurs tumbled into the Europa League for another year, Roy Hodgson took England to Ukraine and Redknapp is out of the top flight entirely, facing a season in the Championship with a dreadful QPR team. Even the Euro 2012 gig turned sour when Redknapp sheepishly stood down from the BBC panel after Daniel Levy called his bluff over a pay rise.

Harry’s Games, a generally positive (and occasionally adoring) biography, would have seemed well timed at another moment, but parts of it read a little strangely in the summer of 2013. Redknapp sharply divides opinion among the public: some lap up his man-of-the-people clubbability, while others see him as shady and having too many fingers in pies. John Crace writes here that the aim is to find an accurate midpoint between the two extremes, though it’s obvious the author cleaves more to the former than the latter.

A Guardian journalist and Spurs fan, Crace has been dealt a slightly awkward hand, with none of Redknapp’s friends or confidantes willing to speak to him on the record. So a lot – though not all – of the book is a cuttings job, albeit a thorough and solidly written one. The problem is that he lays his cards on the table early on and keeps them there, announcing that he’s “not ashamed to love” Redknapp and talking at length about the man’s charisma and common touch. The words “national treasure” are used, and not sarcastically. You wonder exactly how much you can trust a biographer who openly admits to being in lust with his subject.

Crace’s strengths are his thoroughness and prosecraft, and Harry’s Game is an easy, diverting read if nothing else. Redknapp’s first couple of decades in football were resolutely unglamorous: his time as an injury-plagued winger for West Ham is analysed through the prism of the fear he would have felt whenever another caveman full-back was lunging in to clatter him. Retiring early, he fetched up at Bournemouth, where his first match in charge ended in a 9-0 defeat.

The West Ham years, where Redknapp seemed to be signing four players a week at one stage, were chaotic. “Harry just loved a deal,” an anonymous former West Ham board member tells Crace. “It was almost as if it were a drug.” Crace notes later that while Redknapp has a tendency to “stay in the black” when trading players, it has a bad effect on the players themselves, who don’t like being passed around like pieces of meat.

With QPR down, few expect Redknapp to hang around for long. Crace finished the book just before the relegation and rounds it off by speculating on Redknapp’s chances of pulling off another Houdini act, to cement his reputation as “one of football’s greatest ever survivors”. Perhaps, but mere survival isn’t the kind of thing that a man like Redknapp settles for.

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by Giancarlo Rinaldi
Kindle via Amazon, £1.53
Reviewed by Matthew Barker
From WSC 318 August 2013

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Giancarlo Rinaldi has been writing about Italian football since the late 1980s, initially in the Rigore! fanzine. This ebook is akin to a best-of; a simple enough framework, compiling reports on 20 games that the author has previously written about in various formats, the earliest dating back to 1961 (though not as an eye-witness) and the most recent from 2005, with an accent on the 1980s and 1990s. Some have a particular relevance for the outcome of a championship, though others have been chosen on more personal grounds.

Rinaldi has a nice and breezy, economic style, which keeps things moving along and works best when he’s explaining the contexts of club rivalries, or the back stories of an individual player or coach at a crucial moment in their careers. For anyone looking for a decent primer on the history of post-war Italian football, there’s much to enjoy here.

However, despite its slight size (less than 100 pages) this is definitely a book best dipped into. Those match reports soon start to blur a little and you could miss out on some nice details, especially when it comes to the quotes, the majority sourced from contemporary press cuttings. Inter’s Sandro Mazzola remembering when, as an 18-year-old, a club car was sent around to pick him up after he sat his accountancy exams and drive him straight to the stadium for a game against Juventus; the claims that jars of “Berlsuconi’s Tears” were sold on the streets of Naples after Napoli won the 1990 scudetto; Claudio Ranieri snapping at journalists after his Fiorentina team were on the receiving end of an 8-2 tonking from Zdenek Zeman’s Lazio.

If I have any gripes, and with a £1.53 asking price it seems pretty churlish to have any at all, it would be the lack of match summaries – a couple of lines of which could sit underneath the chapter headings. There’s no mention of the final score, let alone other stats (scorers, times, actual dates as opposed to simply the month, attendance figures), which can make things confusing when trying to follow the narrative of a report, especially if you are just dipping in. Some images would be nice too, though I appreciate we’re still in the relatively early stages of ebook technology. Hopefully, along with a sympathetic editing job, we can get to enjoy a more fully rounded reading experience one fine day when a print edition appears.

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by Paul Brown
Goal-Post, £7.99
Reviewed by Terry Staunton
From WSC 318 August 2013

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Pre-empting the terrace chants of several future generations, the 1878 FA Cup final referee was, indeed, a Bastard. Racehorse owner and solicitor Segar Bastard was the man with the whistle, although just a few years earlier he might have been waving a handkerchief to signal foul play, before a bright spark hit on the idea that something which made a noise might more easily attract players’ attention.

It sounds like an obvious tweaking of how the game should be played, along with the 1871 ruling that introduced dedicated goalkeepers – instead of anyone on the pitch being allowed to take a “fair catch” – although it would be another 40 years before keepers’ powers were reined in to prevent them from picking the ball up anywhere in their own half. Likewise, the Victorian equivalent of goal-line technology was the 1870s introduction of solid crossbars, thus ending the confusion and controversy caused by balls striking the strip of tape tied between the tops of posts.

Paul Brown’s miscellany doesn’t attempt a straight chronology of how the game developed while Queen Victoria was on the throne, and that is to the book’s advantage. The time-hopping scattergun collection of pivotal changes to the laws governing play is liberally peppered with tremendously trivial tales of Zulu warriors playing exhibition matches in Scarborough, newspaper reports of therapeutic games played between inmates of lunatic asylums and revelations about the health-conscious 1889 Sunderland team containing seven non-smokers.

The author’s visits to press archives come up trumps time and again, recounting St Patrick’s Day riots at an 1840 match in Edinburgh (“a reinforcement of the police soon dispersed the cowardly assailants; four of the ringleaders, we are happy to say, are in custody”) or Derby Council’s decision to ban the game outright in 1846, declaring it “a vestige of a semi-barbarous age”. And who wouldn’t have wanted to witness the game played in Windsor, when both teams had their ankles tied 15 inches apart and the winners were presented with a cheese?

Among these myriad curios, Brown offers potted biographies of pioneering teams, players and personalities. Modern-day fans of Notts County may already be well versed in the club’s history but it’s intriguing for the rest of us to learn that antagonisms with their Forest neighbours stretch back to the very first derby fixture, when the latter team sneakily fielded 17 players. Rightful space is afforded to such movers and shakers as first FA secretary Ebenezer Cobb Morley, aristocratic Arthur Kinnaird (a 19th-century David Beckham, suggests Brown) and poet Nevill “Nuts” Cobbold, regarded as the forefather of dribbling.

The rules may have varied from town to town, even factory to factory, before the FA sought workable unification, while outbreaks of violence meant football habitually filled as many column inches of the crime reports as it did the sports pages, but the colourful transitions the game went through to become the beast we know today are endlessly fascinating. This book doesn’t set out to tell the story in dense, sober detail, opting instead to present itself as a hugely entertaining exercise in eavesdropping.

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Why everything you know about football is wrong
by Chris Anderson and David Sally
Viking, £12.99
Reviewed by Barney Ronay
From WSC 318 August 2013

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This book didn’t have an easy start in life. At first glance, and for the first 100 pages or so, it is hard to look beyond the instant wrong turn, the unhesitating literary hari-kari, of that terrible title. Yes. Everything you know about football is wrong. Everything. Wrong. All of it. Presumably this includes all the bits you may have picked up from reading Soccernomics and its imitators, not to mention the many articles, columns and blogs to have addressed already the central conceit of The Numbers Game – the idea that football is a sport still mummified by cliche, folk wisdom and superstition; and that it is only via the forensic scalpel of the insistent academic outsider that this tapestry of mediaeval idiocy can be swished away to reveal The Truth beneath.

It is an approach that speaks very clearly to the way football is now consumed, a sport that has long since evolved at its top level into a sprawlingly incontinent mass media event. To be interested in football is not so much to support a team, to seek the connections and consolations of old-school fandom, as to enter an ongoing and irresolvable mass argument. True understanding can only be reached through wider reading, more zingily up-to-date stats. So much so that at times modern football appears to be less a form of entertainment as a kind of strident shared academic discipline, a mob-handed codification of the pub bore dynamic, and the idea that what is important in all this is to be right.

If The Numbers Game suffers at points from the fact that it must gear itself towards its natural readership, the winning-an-argument-at-work group, then there is also a fascinating and highly readable book in here. The authors Chris Anderson and David Sally are described as “a football statistics guru” and “a baseball pitcher turned behavioural economist” (aren’t we all darling) and together they have some interesting and original arguments to make, expertly illustrated with stats, graphs and a broad sphere of reference.

This is essentially a book about “the inner truth” of football’s numbers, albeit the attempt to stretch this into an absolute truth is at times a little gauche. Why don’t all teams attempt to perfect the long throw, given its statistical success, the book demands, suggesting an obsession with aesthetics and “beauty” is behind this omission, when in fact it is as much to do with the more tangible tactical demands of rhythm and speed, a coherent and non-wishy-washy requirement for quicker, less random restarts. Barcelona can also produce some pretty convincing stats on this point.

Quibbles aside The Numbers Game is an illuminating experience, with some excellent passages – the Darren Bent analysis (surprisingly effective) is fascinating, as is the deconstruction of Chelsea’s hire and fire policy. And if there is some unintentional humour in the recurrent deification of the “heroic” Roberto Martínez – everything I know about football may be wrong but I do know that Wigan have since been relegated – then this is simply a reminder that football remains a game where the numbers, like the rest of us, must follow at one remove.

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