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Search: ' Billy Bremner'

Stories

War of the words

David Stubbs looks at the tabloids’ unique style of football reporting

In Chris Horrie and Peter Chippindale’s Stick It Up Your Punter!, their study of the Sun during the 1980s editorship of Kelvin MacKenzie, the authors recount a journalists’ strike during which sub-editors had to write up the football match reports. Wizened old cynics that they were, they decided to turn the task into an exercise of which of them could come up with the most meaningless cliche with which to pad out their copy. The winner was “kick and rush glory boys”.

As with tabloid coverage across the board, their headlines, straplines and copy have, over the past quarter of a century, generated a tag cloud of grab-bag buzz-words – “blast”, “probe”, “lions”, “tragedy”, “flops”, “fury”, “blast”, “swoop”, “sensational”, “glory”, “shame”, “thugs”, “heroes”, and so forth. Not a great deal has changed in 
this respect.
Some have fallen by the way with time. Gary Lineker was habitually described as “hot-shot” back in his mid-1980s pomp, a mode of description which eventually died of hackneyed shame. Even “skipper” seems in danger of extinction.

All of these words have one thing in common. Like the word “pesky”, which was only ever uttered by the likes of Little Plum in the Beano, they are at once deadeningly familiar and yet unspoken by actual people in real life, least of all tabloid readers. A particular example of this is “shaker”, used not to allude to a member of The United Society of Believers in Christ’s Second Appearing, but to convey in six letters an injury scare.

These devices also function to contrast with the inconsequential reality of the football world on a day-to-day basis, as well as the warily, dully discreet equivocations favoured by players and managers when talking to journalists. Much as on Football Focus they’re forced to jazz up a teeth-grindingly tedious interview with a Scott Parker by switching in and out of grainy black and white or zooming in on his hands, so these words add a falsely incendiary gloss.

So, in October 1986, we read in the Daily Mirror that Tony Adams was Gunning For Kerry Dixon on the eve of an Arsenal v Chelsea fixture. Here are the fighting words from Adams whose psychologically warfaring mood that headline captures: “All First Division strikers need careful watching and facing Kerry will be another good test for me.”

Look for sensationalist cliche and you would assume the first port of call to be the Sun. It’s certainly had its moments of crass extremism, such as Argies Get Their Revenge, following England’s World Cup exit to the Hand of God goal in 1986, or the pillorying of Messrs Robson and Taylor. However, it’s almost disappointing to find, on closer inspection, that their coverage throughout the 1980s and 90s was restrained by the standards of the rest of the paper.

So, when flicking through its 1980s pages, with those abysmal Franklin cartoons, red-baiting and headlines like Rape: Why Men Are Hidden Victims, there is also relatively considered prose from the likes of Martin Samuel. Nothing masterly, mind, still tabloidese, with every paragraph beginning with the words “And” or “But”. Yet by no means as addled or moronic as you might fear. Even in 1996, though the coverage of England’s semi-final against Germany is depressingly festooned in flags of St George, there is virtually no “Kraut” bashing.

That, infamously, could not be said for the Mirror under Piers Morgan’s editorship. It was prior to England v Germany that he produced the mock-up cover of Stuart Pearce and Gazza in tin helmets and the Achtung! Surrender headline, a stunt which he recently described as prompting a “massive sense of humour failure” on the part of his detractors. It turns out he unapologetically regards the cover as a sense of humour 
success.

This wasn’t a one-off. From the mid-1980s onwards, the Mirror was more startlingly prone to martial imagery than its Wapping counterpart, real Orwellian “war minus the shooting” stuff, tastelessly so a time when hooligan firms were squaring up to each other for real – indeed, you could read all about these “thugs” and their “nights of shame” on the aghast Mirror back pages.

The word “killer” is deployed frequently and airily on its back pages, Leeds manager Billy Bremner is “blitz Billy”, Paul and Clive Allen, up against each other for QPR and Spurs, are a “family at war”. Man Utd are “shell-shocked” to be beaten 1-0 at Wimbledon, while a 15,000-strong fans’ petition to regain the their ground and presence at a club meeting goes under the headline 
VALLEY WAR. The gruesome, bloody details follow – police were called as directors Derek Ufton and Michael Norris “reeled under a barrage of questions”.

Then, of course, there are those trenches, from which the likes of Crystal Palace are forever charging “with bayonets fixed”, in which burly, yeomen English defenders line up side by side, in which the real nitty-gritty business of football is conducted, and to which the foreign influx would probably be averse. In the Daily Express, in 1992, James Lawton worried about how “battle hardened” Eric Cantona, then of Leeds, would prove in the impending Premier League season, in a piece titled Dainty Eric Must Face Up To Trench Warfare.

If foreigners weren’t conspicuous in tabloid-land decades ago, black footballers certainly were. If you hadn’t noticed in the 1980s that John Barnes, for instance, was black, then the tabloids were on hand with constant reminders. He was, in 1988, our “brightest black pearl”, or, according to Emlyn Hughes, the “best black player ever produced in this country”, an important distinction. In 1986, Steve Curry in the Express felt obliged to describe the “happy Calypso manner” in which Barnes told him he would be prepared to play anywhere for England.

However, when Barnes, Ricky Hill and Brian Stein flew unannounced to Jamaica to take part in a fundraising match there was Fury At Missing Black Aces in the Mirror. Much has remained constant in tabloid coverage. Though Wayne Rooney’s rise has prompted a depressing increase in the penchant for dreadful name-based puns, the England team still vacillate between “lionhearts” and “flops”, as opposed to the routinely, chronically middling 
mediocrities that they are. But some things at least have changed for the better.

From WSC 295 September 2011

Flicks to kick

Rob Hughes wonders why so many football-related dramas fail to strike the right tone, especially in their action scenes

Lord knows they’ve tried. Ricky Tomlinson as England manager. Sean Bean tanking around in a Sheffield United strip. Sylvester Stallone between the sticks. Even Adam Faith as pint-sized proprietor of – oh yes – Leicester Forest (from a script by Jackie Collins, no less). All of them as inept, unconvincing and downright embarrassing as each other. So just why is it that films about football never work? Certainly not through lack of an audience. It’s a sport, lest we forget, adored by millions the world over, one with its own in-built dramatic arc. A ready-made fantasy in which slumdogs really can become superstars. Never mind Mike Bassett or Jimmy Grimble. Where’s our Raging Bull, our This Sporting Life? Even a Seabiscuit would do.

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Revie Revered And Reviled/Keep Fighting

Revie Revered And Reviled
by Richard Sutcliffe
Great Northern Books, £16.99
Reviewed by Duncan Young
From WSC 291 May 2011

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Keep Fighting The Billy Bremner Story
by Paul Harrison
Black and White, £14.99
Reviewed by Duncan Young
From WSC 291 May 2011

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Don Revie and Billy Bremner, manager and captain of the triumphant Leeds Utd team of the 1960s and 1970s, are inseparable in the public consciousness. There's also the idea of an unshakeable bond between them and, not far under the service, the suggestion that their success was sinister and tainted. The Damned United reanimated their pantomime villain incarnations, but feelings of injustice have inspired some authors to try to counter these perceptions and highlight what was good about both men.

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True Storey

My Life and Crimes as a Football Hatchet Man
by Peter Storey
Mainstream Publishing, £16.99
Reviewed by Jon Spurling
From WSC 287 January 2011

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Arsenal's Double triumph in the 1970–71 season garnered few of the plaudits which Tottenham had received ten years earlier after winning both the Championship and the FA Cup. Critics insisted that Charlie George (who was injured for much of the season) and George Graham aside, the team was overly functional and, to put it bluntly, dull.  No player appeared to typify the Gunners' distinctly blue-collar, often attritional approach better than midfield enforcer Peter Storey. Granted assorted nicknames during his career, including "Cold Eyes" and "Snouty" (due to his ability to "sniff" out weaknesses in the opposition's midfield), former Chelsea skipper and fellow 1970s hatchet man Ron "Chopper" Harris recently labelled Storey "the bastard's bastard".

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The Last Fancy Dan

The Duncan McKenzie Story
by Duncan McKenzie and David Saffer
Vertical Editions, £17.99
Reviewed by Mark O'Brien
From WSC 274 December 2009 

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Duncan McKenzie openly admits that his style of play divided opinions. There were those who saw him as a luxury player, while others considered him the sort of maverick who could unlock defences in an era, the 1970s, when men like Ron Harris and Tommy Smith would emasculate forwards as soon as look at them.

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