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Jimmy Adamson

335 AdamsonThe man who said no to England
by Dave Thomas
Pitch Publishing, £17.99
Reviewed by Harry Pearson
From WSC 335 January 2015

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Jimmy Adamson was born in Laburnum Terrace, Ashington, a few doors along from Bobby and Jack Charlton. All three would be Footballers of the Year. They shared character traits too; Adamson had Big Jack’s abrasiveness and Bobby’s tendency to aloofness. Unfortunately he didn’t have the charm of the former, or the diplomatic skills of the latter. The result, as lifelong Burnley fan Dave Thomas relates, in this illuminating and well told biography, was a career that promised much but ended in frustration.

Adamson’s childhood was brutally hard. His father abandoned the family at an early stage; his mother’s struggle to raise her children on her own ended in depression and suicide. Later he would suffer the horror of having his two children predecease him.

Whisked away to Burnley as a teenager after the north-east clubs took their traditional path of rejecting a local star, Adamson started as a winger but soon switched to half-back. Intelligent, tough, with a rare ability to pick a pass, he quickly became one of the stars of the team that took the League title in 1960.

As a coach Adamson was ahead of his time, a thinker and a tactician. After serving as assistant to Walter Winterbottom at the 1962 World Cup, he was offered the England manager’s job but turned it down to stay on at Turf Moor as player and eventually – after some backstage shenanigans to oust incumbent Harry Potts – the manager.

From Potts, Adamson inherited a side rich in young talent, labelling it “the team of the Seventies”. Unfortunately the economics of football had changed since his playing days and small-town clubs such as Burnley now struggled to compete with the big-city sides. The resulting financial pressures brought Adamson into conflict with Burnley chairman Bob Lord. Sitting in the head office of his butchery business in front of a large portrait of Winston Churchill, the man Arthur Hopcraft called “the Khrushchev of Burnley” was a self-made autocrat straight out of satire. (Indeed, one of the many entertaining nuggets the author has dug out is the fact that Brian Glanville wrote a sketch about Lord for That Was The Week That Was. Sadly it was never performed.)

As “the team of the Seventies” were dismantled to pay for ground improvements and fend off debt (and to line Lord’s pockets, it is alleged) the once close relationship between the two men descended into acrimony. “I wanted to build a team, the chairman wanted to build a stadium,” Adamson famously remarked after the split finally came.

Away from Turf Moor, Adamson never really settled. A spell at the side he had wanted to play for as a boy, Sunderland, ended after a couple of inconclusive seasons, the appointment at Elland Road in 1978 was fraught with problems from the off. By then alcohol seems to have blunted Adamson’s talent and exacerbated his prickliness. After Leeds he did not work in football again.

Adamson continued to live in Burnley, but was so bitter about his treatment by Lord he refused to go and watch even after his nemesis had departed. Thankfully he eventually made his peace with the club he had served so well. He received a warm and heartfelt ovation from Clarets fans on his return to Turf Moor. It gave some semblance of a happy ending to a life marred by rancour and loss.

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The Football Crónicas

335 Cronicasedited by Jethro Soutar 
and Tim Girven
Ragpicker Press, £10
Reviewed by Nick Dorrington
From WSC 335 January 2015

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The Crónica is a Latin American literary form, somewhat akin to the output of the new journalism movement of the 1960s and 1970s, in which the author involves themselves, to some degree, in the story. Written from a bold and engaging first-person viewpoint, it is a form that is the subject of a number of dedicated magazines across Latin America.

It is through the medium of the Crónica that this collection explores the football and society of a region in which a team bus is shown more deference than an ambulance in traffic, where villagers gather on a hillside to get the best possible signal for the radio broadcast of a match and where entire cities can be brought to a halt by an important fixture. These entries are supplemented by a book extract in similar style and three short stories.

The standard varies a little from piece to piece but the overall quality of both the writing and translation is to be applauded. Authors from across South America, plus two from Mexico, have been included, writing on subjects as varied as a prison team in Argentina, a Latino immigrant league in New York and a team of transvestites in Colombia. The rare missteps occur when the focus is on well-known subjects such as Alcides Ghiggia or Romário.

One of the most interesting entries is by the Peruvian writer Marco Avilés. It tells the story of the women’s football team of a high Andean village where no Spanish is spoken and the comforts of modern society are not to be found. The women travel down to the nearest developed city to take on the local team in a match that Avilés bills as a battle of ojotas (rustic flip-flops) versus trainers; ancient tradition against globalisation.

The changing face of football is masterfully described in a wry short story about an elderly man denied access to a stadium due to his failure to produce a shop loyalty card. “Purchasing power is all that matters,” a steward tells him as the man fruitlessly describes the various triumphs and defeats he has witnessed in his many years in the stands.

The best pieces in the collection are those about people who for one reason or another stand on the margins of mainstream society. We sometimes forget that football, in its most basic form, can act as a unifier for communities, or provide a platform for those whose voice is rarely heard. This theme is beautifully summarised in the final entry, a short story by Vinicius Jatobá that provides a fictionalised account of the genesis of Brazilian football and the emergence of Leônidas da Silva in the docks of Rio de Janeiro.

Laced with local patois and references to the art, food and history of the region, the book is, at times, a challenging, even daunting read. Explanatory footnotes would have been a welcome addition. Yet it is still an enlightening and ultimately rewarding excursion into the football and culture of Latin America.

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