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The Biography of Manchester United’s Midfield Maestro
by Ian Macleay

John Blake, £ 17.99

Reviewed by Joyce Woolridge
From WSC 260 October 2008 

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This is a book that should have been written two years down the line, when hopefully Owen Hargreaves has managed to put in something like a full season and lived up to his premature billing here as “United’s Midfield Maestro”. Currently, the Canada-born player is yet again not gracing the Old Trafford, or any other, pitch with his sublime skills, though his return to ­fitness is expected soon. It is undoubtedly true that without Hargreaves’s sporadic appearances Manchester United would not have won their two trophies last season, but the same could be said with more justification about most of the rest of United’s squad. He also showed some promise as the “holding midfield player”, the current mythical missing piece of the England team’s jigsaw, when fit. But he is still a work in progress.

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Germany’s former captain believes he is destined for managerial greatness. No one else agrees. Paul Joyce reports on the coaching career of the German Bryan Robson

Lothar Matthäus is by no means the only former player to harbour delusions of managerial adequacy. Yet after five posts in six years, the coaching career of Germany’s most-capped international has a uniquely self-destructive trajectory. Convinced that he is not getting his fair dues, in terms of respect, money or a position that befits his stature, “Loddar” manages to talk his way out of jobs with the misplaced confidence of a cartoon labrador about to step on a rake.

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It says a lot about Germany that they managed to reach the 2002 World Cup final in the middle of a prolonged slump but, as Paul Joyce explains, the expectations for this summer’s hosts and poor recent results leave their long-distance coach under pressure

After a 4-1 mauling by Italy in February left Germany without a victory over a top-ranked nation since defeating England at Wembley in October 2000, CDU politician Norbert Barthle demanded that manager Jürgen Klinsmann be hauled before the national sports committee “to explain what his concept is and how Germany can win the World Cup”. With a mere three per cent of the populace believing that a side ranked three places below Iran could now win the tournament, Federal Chancellor Angela Merkel herself felt obliged to give the under-fire Klinsmann the dreaded vote of confidence: she was convinced that he and his team were “on the right path”.

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Thursday 1 Ottmar Hitzfeld turns down the job of German national coach. Bradford survive: their administrators are in talks with “interested parties”. MK Dons, meanwhile, prepare for their headlong dive through, uh, League One by coming out of administration. James Milner is set to join Newcastle while his ex-team-mate Mark Viduka completes a medical at Boro (peevishness may not show up in the tests).

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Ian Plenderleith finds artists from Norway and Switzerland exploring the meaning and limits of the game (and the language), while Englishmen past and present have captured the game’s historic vistas

The history of football and art is littered with badly proportioned pencil drawings, misty-edged portraits and, on the pitch, mostly miscued overhead kicks that end up leaving their artists flat on the canvas. Once in a while, though, those overhead shots hit the target and we celebrate the beauty, just as the occasional non-playing artist captures some­thing of the game’s elusive but undeniable aesthetic side.

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