The Archive

In spite of Sepp Blatter's recent crass remarks, football females are on the rise and England may soo have a professional league, as Dianne Millen writes

As tantrums go, it was almost Keeganesque. When Albion Rovers went down 1-0 to Montrose earlier this season, then manager Peter Hetherston was in no doubt about where to direct his fit of pique: at Morag Pirie, Scotland’s most senior female official. “I knew it wasn’t going to be our day when I found out we had a woman running the line,” he ranted. “She should be at home making the dinner for her man after he has been to the football. This is a professional man’s game.”

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Yuriko Saeki became only the second woman to manage a Western European men's professional team. Luke Gosset talks to the Japenese coach – briefly manager – of Spanish lower division side Puerta Bonita

FIFA president Sepp Blatter’s comments linking the popularity of women’s football to a lady’s willingness to wear tighter shorts left Japanese coach Yuriko Saeki decidedly unimpressed.

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MC Harvey may be the only rap star who plays football to a decent standard but there are plenty of players who would love to move the other way, as Phillip Mlynar explains

Taking a hiatus from his role as one of the rappers that make up the So Solid Crew, MC Harvey – or simply “Harvey” to his new team-mates – now spends his Saturdays as left-back for AFC Wimbledon. Debuting in a 3-0 victory at Chipstead, Harvey proved to be a defender with an eye for a goal and struck up a promising understanding with Ryan Gray down the left. He also appears just as pleased with the team’s form as any of his peers who, as is usual in the Combined Counties League, don’t have a sideline in Top of the Pops appearances. “The music thing was always really just a hobby in one respect,” says Harvey who was once on Chelsea’s books. “It was fun, es­pecially when we had top-ten hits and performed at the Brits, but I’ve always loved football first. And now I’m back playing with some old mates and I’m loving it.”

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Somehow football and rap have rarely hit it off, in spite of some peciliar parallels in the fashion stakes. Al Needham works hard to find what references there are to the game

First, a word of reassurance: just because footballers seem to be getting into hip-hop a good 15 years after everyone else did does not compromise in any way the well loved cliche about footballers having bland and rubbishy musical taste. Ever since hip-hop overtook country and rock to become the most lucrative genre of music in America, it has been successfully defanged of its subversive elements, until what Chuck D of Public Enemy called “the Black CNN” is now some bloke prattling on about what he bought the other day, who he’d like to shoot and generally how ace he is. Again. For 50 Cent, Eminem and Jay-Z, read “George Benson, Shakatak and Steak and Chips”.

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Ian Plenderleith finds artists from Norway and Switzerland exploring the meaning and limits of the game (and the language), while Englishmen past and present have captured the game’s historic vistas

The history of football and art is littered with badly proportioned pencil drawings, misty-edged portraits and, on the pitch, mostly miscued overhead kicks that end up leaving their artists flat on the canvas. Once in a while, though, those overhead shots hit the target and we celebrate the beauty, just as the occasional non-playing artist captures some­thing of the game’s elusive but undeniable aesthetic side.

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