The team with most points winning the league? The teams with fewest going down? As Robert Shaw writes, that hasn’t been the way in Rio and São Paulo – until now

In the highly political world of Brazilian football, two developments received universal acclaim in 2003. First, Palmeiras and Botafogo, two traditional powers, were promoted back to the 24-team top flight a year after relegation. Earning a return on the field, rather than through negotiations in a smoke-filled room, won plaudits for both clubs, who had not been expected to tolerate the humiliation of second division football.

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Philip Cornwall was far from alone in idolising a traditional English centre-forward in 1986, even if his choice was unusual. A lot has changed since, starting with Gary Lineker

Wayne Larkins has long been one of my favourite footballers. Though if he crossed your consciousness at all it was probably as a Northamptonshire and (occasionally) England batsman, my cup runneth over when his winter off from the county I support became a move to my non-League home town side, where he made a striking impression.

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For Steve Wilson, the gleaming seats and award-winning arches of the McAlpine Stadium cannot replace the pleasures of standing behind the goal at Leeds Road under a rickety iron roof

I can hear the words before they’re formed. Someone new asks me which team I follow. “Huddersfield Town,” I reply, then wait. A slightly blank look appears on their face, mixing surprise, confusion and pity. And then it comes: “Nice stadium.”

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The internet has its critics, but after using it to spend his money on football games to make up for his deprived childhood, Harry Pearson  certainly isn’t one of them

My childhood contact with football board games was confined to gazing wistfully at the adverts in Jimmy Hill’s Football Weekly. They promised so much delight. Wembley was based on “The English Football Association Challenge Cup Competition” and boasted “the most gripping features and exciting uncertainties” recreated “with vivid and amazing fidelity”. Soc­cerama, meanwhile was thrillingly endorsed by Eng­land World Cup star Alan Ball.

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Ian Plenderleith finds artists from Norway and Switzerland exploring the meaning and limits of the game (and the language), while Englishmen past and present have captured the game’s historic vistas

The history of football and art is littered with badly proportioned pencil drawings, misty-edged portraits and, on the pitch, mostly miscued overhead kicks that end up leaving their artists flat on the canvas. Once in a while, though, those overhead shots hit the target and we celebrate the beauty, just as the occasional non-playing artist captures some­thing of the game’s elusive but undeniable aesthetic side.

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