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Hard Case

337 CaseThe autobiography of Jimmy Case
by Jimmy Case
John Blake, £18.99
Reviewed by Seb Patrick
From WSC 337 March 2015

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If things had worked out differently, Hard Case could have been the first footballer’s autobiography to be crowdfunded. Jimmy Case and his ghostwriter Andrew Smart initially sought to get the book printed via online publisher Unbound, a site on which authors solicit advance orders for titles, last year but Case’s memoir didn’t attract enough pledges. Undaunted, they’ve instead managed to find a traditional publisher to take it on – but unfortunately, this change in approach doesn’t seem to have affected the content of the book, which feels badly in need of a stronger editor’s hand.

What becomes immediately apparent from its disjointed, conversational style is that Hard Case is essentially a transcription of Case talking about his career and sharing anecdotes. An opening chapter centred on his Wembley experiences at both Liverpool and Brighton suggests that these thoughts have been grouped together in some kind of thematic order; but from then on it’s a roughly chronological run through his playing career, which nevertheless takes in several diversions forwards or backwards whenever the mood strikes him to refer to something elsewhere.

It’s clear that making itself an accessible read is one of Hard Case’s foremost aims – it’s a welcoming book, from its fairly large print size to its apparent desire to directly replicate the experience of hearing Case reminisce in person. But this style lends itself to repetitiveness very quickly, and by the time you’ve read him guess at having played “thirty-seven games” for the reserves in a particular season only ten pages or so after having already stated that same figure as precise fact, you begin to yearn for Smart to start interfering in the narrative a bit more decisively.

Case himself is difficult not to warm to, especially when telling the Daily Mail’s Jeff Powell directly to his face that he hates him, or responding to a Kenny Sansom taunt about his lack of England caps with the reply “Sorry, I thought you said European Cups”. In his time at Liverpool he was the archetypal example of a hard-working, tough-but-honest 1970s pro and his career is littered with distinctive quirks, from being allowed to continue his apprenticeship as an electrician after signing for Liverpool (essentially becoming a semi-pro player for two years) to being a contemporary of Tommy Smith and Ian Callaghan who was somehow still playing in the Football League as late as 1995.

Yet while there’s much about Case’s career that was unique to him, there are also a good number of his stories – especially on the pitch – that are on the somewhat generic or predictable side. He even manages to squeeze in perhaps one of the most forgettable Bill Shankly stories yet recounted in an autobiography. It’s a shame that so many of these take up space that could have better been spent exploring his life outside football a bit more.

Instead, once the tale of his later years on the south coast is concluded, Case switches to a chapter in which he discusses the present-day Liverpool side’s prospects with an optimism born out of the events of the 2013-14 season. It’s an ill-advised sojourn that has the effect of severely dating Hard Case even before it’s reached shelves; and it’s symptomatic of a book that, for all its good intentions and occasionally lively source material, is sorely in need of knocking into better literary shape.

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O, Louis

337 VanGaalIn search of 
Louis van Gaal
by Hugo Borst
Yellow Jersey Press, £9.99
Reviewed by Jonathan O’Brien
From WSC 337 March 2015

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Hugo Borst was supposed to analyse the 2014 World Cup for viewers of Dutch television. Instead, however, he spent the tournament lazing around on a sofa in the NOS studios, petting his dog and quaffing bottles of red wine, while saying hardly anything in the entire month. Not so much punditry as performance art – and a penny for the thoughts of whoever signs NOS’s cheques.

Borst and Louis van Gaal used to be close friends – the way Borst tells it, anyway – but fell out when Van Gaal accused Borst of giving his mobile phone number to another journalist. Borst’s long-standing obsession with his former pal has now reached its deranged apotheosis in this ludicrous but strangely compelling book, which has been translated from the original Dutch in the wake of Van Gaal’s move to Manchester United. Determined to saw his way through the layers of obstinacy and arrogance in order to unearth the “real” Van Gaal, he decides to analyse his hero/nemesis through the prism of psychology – and to get other people to do it.

So Borst ropes in a succession of Dutch experts in their own fields to make sense of the managerial martinet. If you’ve ever wanted to know what a stand-up comedian makes of Van Gaal (“He goes against the grain of the times we’re living in”), or how a politician regards him (“There are signs that he’s mellowing”), fill your boots. Luckily, some of the contributions are more illuminating. A priest, pondering Van Gaal’s publicly stated renunciation of God and all religion after his wife died of cancer, muses: “It’s understandable, of course. Who else are you going to hold responsible? It’s a mystery. The mystery of suffering. Where does it come from, and why? And why am I the one to suffer?” The cleric concludes that Van Gaal finds salvation in “unrelenting hard work [and] achieving results”.

There are times when Borst wanders onto somewhat dubious ground. Hiring a psychiatrist to analyse a third party who they’ve never even met is fatuous at best, and deeply crass at worst. The bit where he rings up Ronald de Boer to ask if Van Gaal uses Botox makes you feel embarrassed for him. And was it really necessary to pick over the contents of a long-ago phone conversation between Van Gaal and the doomed Robert Enke, when the latter was about to sign for Barcelona?

Borst just about gets away with all this because his way with words is undeniably very entertaining (either that or the translator did an extraordinary job with the raw material). His authorial voice, gently sarky and sardonic without ever quite overdoing it, puts you in mind of another Dutch writer, Herman Koch, whose deceptively serene tales of middle-class viciousness have found a wide audience both in the Netherlands and outside it. Sure enough, it comes as little surprise when Koch himself turns up on page 100, musing on how Van Gaal reminds him of one of his old teachers at school. A weird book, but despite its numerous lapses of good taste a fun one.

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