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by Jeremy Goss with 
Edward Couzens-Lake
Amberley Publlishing, £12.79
Reviewed by Paul Buller
From WSC 336 February 2015

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Jeremy Goss is not a player who can claim to have had a long and illustrious career. He did, however, light up English football in Europe after its very darkest days and brought myself and other Norwich City fans two seasons of sheer pleasure, the like of which we’ll probably never experience again.

Best known for his UEFA Cup goals in 1993 that helped Norwich become the only English side ever to beat Bayern Munich at their Olympic stadium, the midfielder briefly became a household name. His rise to fame, however, was as much a surprise to him as it was to those of us in the stands at Carrow Road who’d watched him endlessly trudge up and down the sidelines hoping to get a game.

Goss’s story charts his time in the wilderness very personably and it’s hard not to feel for him. Stuck in the reserves at Norwich for ten years, to this day he holds the record for most consecutive picks as first-team substitute (18). He doesn’t drink, he rarely goes out with the lads and he trains harder than anyone at the club. He’s sick of hearing managers tell him “Your time will come, son”. Yet every time he tries to move clubs, Norwich give him a new contract.

Perversely then, things work out for him just at the point he’s decided he doesn’t care anymore. He has become so sick of Andy Townsend getting picked ahead of him that he decides to go off the rails and enjoy a few pints, get a bit lippy around the training ground and nastier on the pitch. Enter the new manager, Mike Walker, who tells Gossy he’s going to build the team around him. And he does. Goss becomes an integral part of a Norwich team who start the season by beating Arsenal 4-2 at Highbury, are eight points clear at the top of the inaugural Premier League in December and finish in third place having qualified for the UEFA Cup.

On top of this he starts scoring spectacular goals – namely 20-yard volleys that win him goal of the month on Match of the Day, an honour he is almost childishly (and touchingly) proud of. A season in Europe ensues and Goss plays his huge part in creating history. He and the team believe they’re going to win the UEFA Cup and only Inter put a stop to it in the third round. And then his career crumbles as suddenly as it rose. Walker leaves for Everton, players are sold, Goss is back in the reserves.

Tales of banter are refreshingly scarce; this is a story of how hard work, dedication and an incredible belief gave Goss and his team their just rewards at a time when football was still more about competition than money. Gossy is a proper story and an interesting insight into what a footballer is actually paid to do – train, work hard, play and win. And he enjoys it. At the end of the book, whether you’re a Norwich fan or not, you can’t help but admire the man.

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Trains are an important mode of transport for fans but Tom Hocking says that little is done to make them more convenient

“In terms of transportation,” read an official FA statement, following the controversy caused by setting the FA Cup final kick-off time at 5.15pm, “a small percentage of Cup final fans use the method of train travel.” The evening start, rather than the traditional 3pm, meant fans of both north-west-based finalists would have trouble catching the last train home. Wigan supporters had already faced similar problems for the semi-final against Millwall and been widely mocked for not selling out their entire ticket allocation. The situation was made more galling by the FA’s solution: use their official coach partner, National Express, instead.

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Visiting teams complain about the pitch, but the Luzhniki Stadium deals with the Russian weather, writes Sasha Goryunov

In May 2008, Chelsea and Manchester United contested the Champions League final at the Luzhniki Stadium in Moscow. There was something unusual about the playing surface: it was grass. For one match only, turf was brought in from Slovakia. In fact, this was the second set of imported grass. The original failed to take root and had to be replaced just two weeks before the game. John Terry might wish they hadn’t bothered.

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Footballers can be overacting show-offs, but very few make a decent play of it when given their chance on screen, says Ashley Clark

Though it is easy to see why those engaged in one performative discipline awash with cash and fan adulation may be eager to try their hand at another, history is littered with examples of footballers turning to acting with distinctly mixed results. In largely well received new thriller Switch, Eric Cantona brings his usual brooding charisma to the role of Damien Forgeat, a detective on the trail of a young woman accused of murder. With the talent, versatility and self-confidence to match his ambition, Cantona has carved out an impressive acting career, beginning with a small role in Shekhar Kapur’s period drama Elizabeth, packing in a host of serious-minded French-language fare and peaking with a sly, perfectly judged turn in Ken Loach’s drama Looking For Eric.

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Alex Lawson on the role of train travel in football

In the 1970s and 80s Football Specials were used to ferry fans to away games by rail in a bid to contain hooliganism. Supporters’ organisations and the British Transport Police have been investigating the idea of restoring the services in the wake of frequent arrests of fans travelling on regular trains. At the height of hooliganism, spare carriages and redundant trains were used to transport huge numbers of fans. But the Specials became a focus for problems and were largely scrapped in the early 1990s as privatisation made organising services across the networks more difficult.

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