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A History In Ten Matches
by Jonathan Wilson
Orion, £14.99
Reviewed by Harry Pearson
From WSC 281 July 2010
Jonathan Wilson produces so much high-class writing about football that, had I not met him on a couple of occasions, I'd be tempted to believe he was actually a workers' collective. The Anatomy of England is Wilson's fourth book on the game and while the subject – the England national team in all its splendid misery – might seem less exotic, esoteric and altogether more familiar than those covered in his excellent Behind the Curtain and Inverting the Pyramid the result is every bit as thought-provoking and entertaining.
A late summer night out in Selhurst. Manchester City breeze down to south-east London for the early rounds of the Carling Cup where Crystal Palace huff and puff against mega-rich opponents. David Stubbs reports
It’s grim down south. The freshly mint Manchester City and their supporters come down to Selhurst Park like a delegation from Italy’s Lega Nord descending with wrinkling noses on one of the more malodorous outlying districts of Naples. What a culture shock it must be for visiting fans from the regenerated and nouveau riche north-west as they emerge from Selhurst station, with its unappetisingly urinal-like walls, down a ginnel flanked with mistrustful barbed wire and as rank as the breath of an alcoholic in the afternoon.
The papers were pleased by the trouble at West Ham v Millwall – it gave them a reason to get angry
“We hoped it had disappeared forever but deep down we knew it was still out there festering, simmering.” Unfortunately Ken Dyer of London’s Evening Standard was not speaking about the hypocritical moralising of the great British newspapers, but rather the shocking, photogenic and highly lucrative stories about football hooliganism in the wake of the violence at West Ham v Millwall. “Today, when the blood is washed from the pavements of east London and the ripped seats, coins and debris are cleared from the pitch, questions will be asked,” mused Dyer evocatively. Perhaps, prior to writing about the “violence we prayed had left our game for good”, he ought to have questioned his paper’s marketing team’s use of billboards plastered with the gaudy advertisement: Football riots – all the pictures inside.