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American TV star Jesse McClure, from hit shows Storage Hunters and Storage Hunters UK, is encouraging young fans to get behind his adopted UK “soccer” club, Accrington Stanley.

Throughout February accompanied under-12s will receive a free limited edition talking Jess McClure doll worth £10 when they watch home games for free at the Wham Stadium. Sporting an Accrington Stanley-badged shirt under his trademark leather jacket, the plush doll speaks five phrases including “Accrington Stanley, the club that wouldn’t die!” and “Fight on Accy Stanley, never say die!”.

“Since working over here I’ve become a big fan,” said Jesse. “It’s my nature to side with the underdog and I love everything about the club – its fantastic history, the way it’s fought against the odds to survive, and most of all its army of fans. That’s one army I’m happy to enlist in!”

by Arild Stavrum
Freight Books, £14.99
Reviewed by Mark Sanderson
From WSC 343 September 2015

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Perhaps the biggest criticism of ex-footballers working in the media today is that they don’t provide nearly enough insight into what life as a professional footballer is really like. If former Norway and Aberdeen striker Arild Stavrum’s football crime novel is anything to go by then that’s just as well.

Having played for eight clubs in several different countries, as well as working as a manager over a five-year period, Stavrum can offer a telling insight into the various goings on when a player moves clubs. In the book’s case those details tend to involve vast amounts of corruption.

Stavrum’s writing career began while still a player in his early 20s when the local paper asked him to write a column. This, his second novel, but his first to be printed in English, is based upon the murder of the most powerful man in Norwegian football: agent Arild Golden – a man whose ruthless pragmatism compels him to use any means to justify his desired ends. Golden has no moral objection to exploiting teenage African footballers and manipulating his way to earning hugely disproportionate margins on the player sales he negotiates.

Although he spent a few seasons at Pittodrie at the turn of the century, Stavrum’s critique is very clearly aimed at his home country, although the themes of ambition, greed, corruption and jealousy are universal. The murder has already happened as the book begins. Golden’s corrupt ways are revealed in a series of flashbacks, well demonstrated in his dealings with (a clearly fictitious) Everton chairman James Stirling, who he refers to privately as “Mr Gastric Bypass”. The agent’s hand in a particular transfer is strengthened considerably by incriminating photographs he has of Stirling with several Ukrainian women who turn out to be under-age. Golden blackmails Stirling to buy a certain player, as well as paying the full fee to a private bank account in Guernsey.

The plot brings together a young TV sports reporter and a recently retired former Ajax player,  Steinar Brunsvik, who try to solve the case. The reason for Brunsvik’s retirement is the source of his motivation to uncover the killer. In the hands of a lesser writer this may have sounded as far-fetched as Brunsvik’s new career as a lawyer, but the characters are so well sketched out, and the dialogue so convincing, you put the book down trying to remember where you saw him play.

Stavrum excels in creating an environment highlighting the leading characters’ growing paranoia, but he doesn’t hang about: the book moves in rapid-fire chapters that manage to address homophobia, racially divided changing rooms, doping, the culture of celebrity, and what it is to be a single parent, in an insightful way. The book is brought to a satisfying conclusion; the only negative aspect is that it might trigger a trend for publishers to go looking for ex-footballers to become novelists. Stavrum has earned the right to be described as the latter and the book deserves a wide readership.

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Moving to the NASL was a culture shock for many British pros in the 1970s – an extract from Ian Plenderleith‘s book Rock ‘n’ Roll Soccer, which WSC readers can purchase at a discount here

Many young British players arriving to play in the North American Soccer League had no clue about the geography of the United States. “I thought it was the San Francisco Earthquakes. I didn’t know it was San Jose until I read it on my jersey,” said former Newcastle United reserve Derek Craig after signing for San Jose in 1975.

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by Keith Gillespie
Sport Media, £16.99
Reviewed by Robbie Meredith
From WSC 326 April 2014

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The advance publicity for, and newspaper serialisation of, Keith Gillespie’s autobiography concentrated heavily on his prodigious gambling habit. Given that Gillespie estimates he squandered around £7 million over the course of his career this is understandable, but How Not To Be A Football Millionaire is much more than a tale of beaten dockets. To his credit, Gillespie refuses to wallow in self-pity or to portray himself as a particularly likeable man.

Rather he comes across as intelligent, complex and contradictory – despite a lifelong, and ultimately damaging, habit of refusing to face up to conflict or responsibility, he’s refreshingly willing to put the boot in now his career is over. He’s withering about Stuart Pearce’s “Psycho” image, and there’s a telling depiction of Graeme Souness striding around Blackburn’s training ground in nothing but a towel and formal shoes, but his deepest scorn is reserved for his former manager at Sheffield United, Kevin Blackwell. There’s an elongated and blackly comic account of his time working under Blackwell, which culminates in a series of late-night abusive text messages.

Gillespie’s chronic gambling habit is nurtured at Old Trafford early in his career, where he gladly takes on the task of placing bets for Alex Ferguson, but it reaches its nadir at Newcastle. One of the most pathetic images in the book, although I doubt if he sees it that way, is of Gillespie spending endless afternoons on his sofa – phone in one hand and Racing Post in the other – placing huge telephone bets on the horses. A crisis comes when he loses £62,000 in two days, but the strengths and flaws in Kevin Keegan’s management are apparent when, rather than imploring his player to seek help, he organises a club payment to Gillespie’s bookie to clear the debt; a misguided act which, yet again, prevents the player from taking charge of his own life.

Money, clubs and marriages alike then come and go, while no night out is turned down. “Anything,” he puts it, “to relieve the boredom.” Gillespie was a very good player, but it’s tempting to wonder how much better he’d have been without being out on the lash three nights a week. He remembers only two games, for Newcastle against Barcelona and Northern Ireland’s famous win over England in 2005, where he actually sat in after a match.

A typically hasty and mistaken attempt to make a quick buck by investing in film schemes leads to bankruptcy late in his career when he can least afford it. However, this ultimately forces Gillespie to counter the failings in his own character, not least by opening the numerous final demand envelopes cluttering up his living room. It is too cliched to claim that Gillespie achieves redemption at the end of his tale. Rather he gains the uncertain gift of a better understanding of himself. In doing so, he provides a compelling glimpse into the dark void inherent in the modern age of adrenaline-fuelled football celebrity.

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The approved biography of George Best
by Duncan Hamilton
Century, £20.00
Reviewed by Robbie Meredith
From WSC 322 December 2013

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Despite what Immortal would have you believe, George Best divides opinion in his home country. For each of the tens of thousands who stood reverently in the Belfast rain for his 2005 funeral, there is a counterpart embarrassed and infuriated by the constant scandals and drunken antics. It is a mark of his status, of course, that most people in Northern Ireland still care enough to have an opinion about Best – good or bad – and it is unlikely that Duncan Hamilton’s “approved” biography will change what they think. Written with the blessing of Best’s sister Barbara, the sibling most active in guarding his memory, Immortal has few words of condemnation for even the worst of his excesses, preferring to depict chaos engulfing Best, rather than something he was primarily responsible for.

The early chapters, detailing his rise, are familiar but still thrilling. The shy, good-looking boy from Belfast, spotted by the legendary scout Bob Bishop and a surrogate son to Matt Busby, becomes the fulcrum of an outstanding Manchester United team until Europe is conquered when Best is barely 22. Even in the “el Beatle” years, he lodged in a neat terraced house with the redoubtable Mary Fullaway, and it was a home he would often return to even as things were going wrong in later years.

Yet the hour of Best’s greatest triumph, that 4-1 victory over Benfica at Wembley, is the beginning of a long, drawn-out end. Despite his iconic goal he felt he hadn’t played well in the final, a portent of disappointments to come. In the troubled aftermath the book, echoing its subject, rather loses its way. While we now know much more of the twin afflictions of alcoholism and depression, from which he undoubtedly suffered, I suspect that Hamilton makes more excuses for Best’s behaviour than Best, to his credit, 
actually did.

For, as Hamilton tells it, Best suffered primarily from feeling an excess of love, not for the booze and birds of tabloid tales, but for football and primarily Manchester United. His life does indeed come to resemble a kind of hell – in one telling passage, coachloads of visitors come to picnic in the unfenced garden of his ill-advised modernist home, Che Sera, and turn it into a spectral prison by gawping constantly through the all-encompassing glass.

Immortal becomes a long plea for understanding, and a lament that it wasn’t a quality successive Manchester United managers after Busby displayed in Best’s case. Yet although he was in the grip of twin evils, it is hard to see how Wilf McGuinness or Frank O’Farrell could have made more allowances for him, and Hamilton protests too much when he dismisses Best’s drink-driving, assaults and violence against women in little more 
than a few sentences.

Hamilton is a terrific writer but he seems more determined to be sympathetic towards his subject than Best, in his more reflective moments, was about himself. Immortal is a fine biography and a fascinating portrait of a dawning age of sporting celebrity, but will appeal most to those already inclined to view Best as the last of the doomed football romantics.

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