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Search: 'Joey Barton'

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Letters, WSC 296

Dear WSC
Although I thoroughly enjoyed the article on footballing statues (Striking a pose, WSC 294) it did miss out one rather infamous example – the Ted Bates horror show of a few years back. This short-lived “tribute” to the former Saints player, manager, director and president was astonishingly inept, with legs roughly half the length they should have been. To add to the indignity, more than once a resemblance to dignity-phobic Portsmouth owner/asset-stripper Milan Mandaric was pointed out. The overall effect was of a top-heavy, inebriated and besuited dwarf waving at passers-by. Not really the ideal summing up a lifetime’s service to a club.
Keith Wright, Cheltenham

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Gift of the gab

Adam Bate believes getting the press onside is an important skill for any football figure, but they don’t all seem to realise this

“I wasn’t a great communicator. Things are different now because I’m trying to get into media work, but I didn’t speak to the press then and that maybe didn’t help my cause. The thing is that at Blackburn and West Ham, my performances were OK and spoke for themselves, but that wasn’t the case here [at Fulham].” Ian Pearce, 2011.

Pearce’s attitude is indicative of many professional footballers. They take the view that there is no advantage to be gained from speaking to the ladies and gentlemen of the press. The media are simply out to get them and the safest course of action is to steer well clear. But, as Pearce suggests, this belief can actually damage a footballer’s career.

Of course, in a very different way, Joey Barton’s recent outpourings on Twitter have challenged the relationship between footballers and the media further. In embracing social media with alarming honesty, Barton has not only served to highlight the anodyne contributions of his peers but also left journalists reporting information that many of the public have already accessed directly.

Lawrie Madden is a footballer-turned-journalist who now gives media training courses for the League Managers Association (LMA). At a Lilleshall seminar in July 2011, he said: “I still don’t think football clubs, players and agents fully understand the role of the media and what it’s there for. A lot of players want to deal with the media when it suits them, or when they’ve got a book to promote, but most of the time they don’t want to know. If you want to build a career in the media it’s a lot easier if you worked on that relationship when you were playing. It’s not rocket science but sometimes you’d think it is.”

It’s not just players that need to work on their relationship with the press. As Madden knows from his role with the LMA, managers could also do themselves a few more favours. He added: “Sir Alex Ferguson bans people from press conferences just to teach them a lesson. At any one point there might be three Premier League managers refusing to talk to Sky. Some of them are missing a trick because the media can provide a career beyond football – as long as a player or manager conducts themselves correctly.”

Perhaps it’s not so crucial for a man such as Ferguson – he celebrates his 70th birthday on New Year’s Eve and septuagenarians with knighthoods aren’t known for clogging up the dole queue. But while Fergie is working from a position of strength, others can be significantly helped or hindered by the press coverage they receive when the going gets tough.

Gordon Strachan is a manager who became infamous for his surly attitude towards the press. Richard Rae, writing in the Independent last year, acknowledged: “Plenty of journalists have been the subject of an acerbic put-down, which [Strachan] accepts probably doesn’t help when his managerial record is being analysed.”

In stark contrast, Harry Redknapp remains notorious for his tendency to court sections of the media. Birmingham Mail reporter Chris Lepkowski recently revealed on Twitter that when Redknapp’s Portsmouth defeated West Bromwich Albion in an FA Cup semi-final in 2008, one of the wags in the press room was heard to say: “Thank God the quotable manager won.” Of course, maybe he’s just that kind of guy. But it provided food for thought when Tottenham struggled their way through a difficult three-month period in the spring that brought just one solitary win in 13 games. While many Spurs fans were dismayed, the usually over-reacting tabloid press remained firmly in support of Redknapp.

Neil Ashton, formerly of the News of the World, demanded fans get off Redknapp’s back. Charlie Wyett of the Sun – a paper for which Redknapp has written a regular column – was particularly incredulous and appeared to be seeking vengeance. Wyett went so far as to suggest that the Spurs fans who had criticised the manager deserved for the club to be relegated the following season.

Contrast this with the treatment of Fabio Capello. The Italian endured an undoubtedly disappointing 2010 World Cup as England manager. However, when the Sun is producing back-page headlines labelling Capello a Weirdo and a Jackass, it is legitimate to consider the possibility that there are other elements at work. His refusal to interact with the media as freely as some of his contemporaries is a factor that perhaps should not be overlooked.

Don’t expect Capello to be tweeting the reasons for his team selections any time soon. But you can certainly expect the relationship, or lack of it, between players, managers and the media to continue to shape public perceptions for some time to come.

From WSC 296 October 2011

Tweet nothings

Not everyone is convinced by the crocodile tears and PR onslaught of a controversial midfielder’s transfer saga, Mark Brophy among them.

Joey Barton’s departure from Newcastle United a few days before the end of August was the end to a long, tortuous tale. The club claim he drew away from negotiations on a new contract shortly after the sale of Andy Carroll without replacement in January, followed by the withdrawal of their contract offer, and ever since it has seemed likely that Barton would leave. Despite other influential players also leaving in that period, Barton’s public pronouncements through the summer have guided the story rather than the series of transfers.

In terms of events the narrative is a straightforward one. A player concerned about the direction their club is taking, and seeking a new and improved contract with a year to go on the old one, doesn’t receive an offer meeting his expectations. As the summer draws on the player engineers a bust-up with club staff and is informed he can leave immediately on a free. Just before the end of the transfer window another club makes an offer which he accepts.

What is different here from, say, Samir Nasri’s move from Arsenal to Manchester City is Barton’s use of social media to communicate directly with fans. Whereas Nasri criticised Arsenal supporters both before and after his move was complete, Barton tweeted his version of events always in a way guaranteed to appeal to Newcastle fans. The bust-up itself partially took place on Twitter, Barton repeatedly criticising the way the club was run, though he was careful to restrict his criticism to the club hierarchy.

He claimed he would only leave for football reasons to a Champions League club, his frustration at the club’s transfer dealings being a factor. He then claimed he wanted to stay but was continuing to wait for a contract offer from the club. Even at the 11th hour, having spoken to QPR, his eventual destination, he communicated his need for time and space to think, the inference being that he was torn by the possibility of leaving a club for which he felt a genuine affinity.

The saga as viewed through the Barton prism fed into widespread supporter disquiet at the running of the club. He portrayed himself as a victim, being forced out by a club wishing to rid itself of a high-earning player who no longer fitted their preferred profile. There’s a certain amount of truth to this in the sense that if the club felt he was worth it they would have offered him more. A display of reluctance to leave even when offered more money again played to the wish of the fans to believe that the player feels the same as they do.

Many fans took his tweets at face value, which gained him considerable support in the stand-off. That might not have been true had he attempted to put his case via more traditional media, being filtered by the view of the reporter in question. If Barton’s primary purpose was to highlight the club selling last season’s best performers without adequate replacement, then it is ironic that his actions had the opposite effect, in diverting focus from worries about the club overall onto endless discussion of himself.

The Twitter rant that provoked his transfer listing did not precipitate a change in modus operandi at the club but instead created an opportunity to gain a lucrative transfer for himself. The Champions League suitors happily confirmed initially by his agent failed to materialise. He leaves to a club with a no more impressive list of summer transfers than Newcastle, though with better communication of their ambitious vision for the future following a very recent takeover.

With a year left on his contract he had no need to go anywhere immediately and, whatever reluctance to leave he may have felt, leave he eventually did. So this cannot in truth be portrayed as a move for footballing betterment, with neither club likely to trouble trophy engravers any time soon. If leaving by choice, as seems to be the case, the improved contract must have helped concentrate Barton’s mind. Now the transfer has gone through, it is his protestations of loyalty which most jar, a 21st century equivalent of badge-kissing.

Why then did Barton bother with a PR exercise in self-justification aimed at fans of a club he was agitating to leave, if that is what he was doing? Cod psychology might suggest Barton’s overriding need to be loved, but he could more reasonably have been driven by a wish to maintain the possibility that the interest of other clubs would persuade Newcastle to offer the contract he desired. If Barton’s time at Newcastle is to have a legacy, it may be that players become aware of an easy method of hedging their bets publicly while pushing for a lucrative move behind the scenes. 

From WSC 296 October 2011

The joy of failure

Footballers are increasingly viewed by extremes in the press. James Calder worries that we have become too quick to judge

I haven’t heard much about Titus Bramble lately. I can’t say I’ve followed his career assiduously but I’m definitely hearing less about him than I used to. Time was when he seemed to be everywhere – pranging cars, giving away soft goals and attracting cheap gags from anyone with an opinion on the game. Once the epitome of “comedy defending”, the term of choice for caustically humorous bloggers and writers everywhere, Bramble seems to have slipped out of the public eye. Well, out of my eye anyway.

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A momentary lapse of appreciation

Matt Nation’s enjoyment of sixth-tier football in Germany has taken a hit. A long bike ride to the game was just the start of an afternoon of play-acting, clumsy football and dodgy sausages

Just as titles are proverbially won or lost on wet weekday evenings against the league’s dunces, cycling to a football match into a headwind without a handkerchief will make you reconsider whether you attend sixth-tier football because you like it or because you’ve not got the resources to do anything else. After 15 miles on a blustery trunk road, not even the most carefully placed boys’ brigade blow will prevent your cuffs from looking like they’ve been overrun by a battalion of molluscs. Getting to this game has made you look and feel disgusting. Your willingness to turn a blind eye is thus slightly lower than it might otherwise be.

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