Search: ' Richard Keys'

Is it possible for Jamie to comment fairly on Harry?

It was no surprise that Harry Redknapp’s appointment as Spurs boss a few days later met with almost universal approval in the press. Most football journalists seem to love Redknapp – while many managers treat reporters with varying degrees of suspicion, he’s affable, talkative and funny, a constant source of good copy. In among the many phone calls he apparently made in the hours after his departure from Portsmouth around midnight on Saturday was a characteristic quip, reflecting on the £5 million compensation agreed with his ex-employers: “Pompey couldn’t sell a player in the window so we sell the manager.”

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For half a century, celebrities have risked making fools of themselves with no need for reality TV, by playing football. But, as John Harding explains, it’s all in a good cause

The lure of the football pitch for theatre folk has always been strong. Ever since professional football became a mass working-class attraction, variety artists have craved some of the allure attached to the game. Before the First World War, comedian George Robey, “The Prime Minister of Mirth”, organised charity fund-­raising matches involving top football stars and music-hall favourites, which drew large crowds. After the war, the tradition continued in intermittent form with teams representing actors, the cinema trade and pantomime artists, dance bands and the pioneering women’s team, Dick, Kerr’s Ladies.

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The campaign for respect for referees is targeted at managers and players, but, Michael Whalley wonders, wouldn’t it be better directed at broadcasters such as Andy Gray and Eamonn Holmes?

Sky Sports News – the channel that only considers sporting events to be truly newsworthy if they have the rights to show them – was a bit stuck during the Olympics. But on the day American swimmer Michael Phelps won a record-equalling ninth gold medal, it cleared its afternoon schedules – so that Eamonn Holmes could talk to John Terry about respecting ­referees.

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Barney Ronay spent three weeks in foreign parts. Not Austria or Switzerland, but UEFA Town, a tightly policed, mascot-infested, first-class-all-the-way state dedicated not to football, but to money

According to a UEFA press release, the Euro 2008 mascots Trix and Flix embody competition, friendship, tolerance, teamwork, magic, style, ability and attitude. They also have distinct personalities. Flix is a cheeky scamp, but Trix “is more serious and self-controlled” – qualities not, it has to be said, usually associated with a jobbing actor in an eight-foot cartoon outfit doing the running man. At their unveiling, Swiss tournament director Christian Mutschler appeared completely serious when he said: “I am sure the mascots… will become a vital part of the understanding of the whole event.”

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The Championship has been a strange division, full of surprises yet lacking in quality, reports Tom Green

It’s easy to see why away fans might enjoy visiting The Valley. Tucked away in a quiet south-east London neighbourhood, it’s a proper football ground, modernised and expanded but still on its old site five minutes from the train station. The club “superstore” is more like a corner shop and pre-match catering still tends to mean fish and chips or a kebab. While there are plenty of expensive players’ Range Rovers in the car park, the statue of post-war Addicks goalkeeper Sam Bartram that looms outside the West Stand is an effective reminder of the club’s history.

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