The Archive

Zenit St Petersburg may be suddenly popular in one half of Glasgow, but the manner of their success means they have been losing fans in Russia. Saul Pope explains

Not many people outside Russia know it, but the country has two capitals. Moscow, the official capital, is the centre of business, politics and power; its people are seen elsewhere as being arrogant and pushy. St Petersburg, the “Northern capital”, is the country’s centre for culture and the arts; its people are considered to be polite and intelligent, although Muscovites see them as provincial. This dichotomy has largely been true of post-Communist Russian football: Zenit St Petersburg have played a stylish and attacking game, and have become popular among fans outside Moscow, but have always been outshone by the capital’s big guns. Until now, that is.

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A chart of the most played football songs in the past five years released by Performing Rights Society leaves David Stubbs wondering who on earth has been left in charge of the PA system

Whenever a list of 50 best-ever songs is released, be they selected by Q readers or Virgin Radio listeners, it tends to cast humanity in a harsh light. A list of the UK’s top football songs based on the commercial reality of which have been most frequently played, as recently unveiled by the UK Performing Rights Society, lowers your opinion of the general public all the more. Is this all we are, as a species?

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The home team have suffered in semis, the visitors lost at the last step in Europe and their title challenge has gone awry. One more disappointment is coming to someone in the SPL's Thursday night climax, in front of Dianne Millen

The romance of the cup. Sometimes a welcome distraction from poor league form, sometimes merely a chance for plucky minnows to be patronised, the source of memories we either can’t stop talking about or can’t bear to repeat. In Scotland, where the league is a binary battle, the cup competitions assume greater importance – and while tonight’s game is the league climax, the cups are what has truly defined the ­season for both teams.

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It's more than 20 years since either side was in the top flight, but now both are threatening an unlikely promotion, writes Pete Green

When you see a 65-year-old man at the football wearing face paint, and you’re not even at Wembley, you know it’s not an ordinary day. On an ordinary day, the city of Stoke-on-Trent translates its motto Vis Unita Fortior as “united strength is stronger”. Today, however, Stoke City are closing in on promotion to the Premier League and it translates as half an hour on hold phoning up for a ticket, 20-minute queues at the bar, a pre-match MC bawling even more dementedly than usual, and a giddy sexagenarian with red-and-white stripes daubed on to his wrinkled cheeks.

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Ian Wright has quit the BBC to present Gladiators on Sky. Some are delighted, but his unique style will be lost, writes Cameron Carter

It hasn’t been the most resonant resignation. Ian Wright has severed his links with the BBC’s football coverage, complaining that the corporation had lost touch with real fans and that he had been cast in the role of “comedy jester” in his appearances as a pundit. For the sake of accuracy, Wright is not so much resigning as making himself unavailable, as his role was always a freelance one and, with the BBC losing the rights to live England games and FA Cup games from August, his future appearances would have been irregular at best. Patrick Mower declining to appear on any further editions of Give Us A Clue because Una Stubbs and Lionel Blair didn’t understand how the kids related to mime would be a workable comparison.

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