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Search: 'Eamon Dunphy'

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Dunphy

307 DunphyA football life
by Jared Browne
New Island, £14.99
Reviewed by Jonathan O’Brien
From WSC 307 September 2012

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At some point in the next few months, we can expect Eamon Dunphy’s memoirs to emerge, a publishing event that is equally likely either to break all Irish bookselling records or sink without trace, so starkly does he polarise opinion in his native land. In the meantime, Jared Browne has stepped into the breach with this diligent but narrowly focused biography of the ageing controversialist.

Dunphy: A Football Life arrives at a moment when, for the first time, the omnipotence of Dunphy’s double act with John Giles on RTE’s football coverage is being openly questioned. Regarded since the mid-1980s as gods of football analysis, they are now frequently accused of laziness, poor preparation and excessive smugness. This isn’t touched upon here, however. Perhaps Browne knows that to have done so would have removed a large part of the rationale for doing the book at all.

As well as being the best-paid journalist in Ireland (he made half a million euros last year), Dunphy is also the most notorious, with a life history speckled by drug use, numerous drink-driving convictions, poisonous running feuds and bully-boy political columns in a Sunday newspaper. But none of that, other than his temporary estrangement from Giles around the 2002 World Cup, is mentioned here. It’s football and football only.

This means that we’re left with a fairly colourless read, albeit a reasonably well-written one. Browne spends too much of this book pushing up the word-count with lengthy digressions on Roy Keane’s managerial career, Jack Charlton’s dinosaur tactics and the inadequacies of the BBC’s pundits. A couple of woeful mistakes slip through the otherwise generally meticulous research: Ireland lost 2-0, not 2-1, to Holland at USA 94, and scored 130 goals, not 75, during Charlton’s decade at the helm.

Browne is no sycophant towards his subject, who he correctly accuses of often self-sabotaging strong arguments by going embarrassingly over the top. But some of his own stances seem a little perverse themselves. There’s a lengthy onslaught on the footballing deficiencies of Mick McCarthy, who Dunphy derided as a player and hated as Ireland manager. Browne goes to the lengths of unflatteringly comparing the man to Paolo Maldini and Fabio Cannavaro, which is hardly fair. Yet Ireland conceded a mere 17 goals in 30 competitive matches with McCarthy in the side, so he must have been doing something right.

At times, adopting an overly formal tone (“Stephen” Staunton, “Josep” Guardiola), the book feels more like an academic paper than a conventioal biography. Browne writes in one not untypical passage: “We must take these concerns seriously and put Dunphy’s views to the test. Was Charlton’s coaching fundamentally flawed and was there a better way for Irish football at this juncture?”

Here and there, the book that instead might have been realised comes bobbing to the surface, not least when Browne correctly and perceptively identifies the “old Ireland v new Ireland” nonsense of the Saipan summer as the pop-psychology drivel that it was. But there’s not enough material like that and, instead, too much aimless strolling down blind alleys, like a very long blog post that’s got way out of hand.

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Trap door

wsc299 After their first leg play-off win, Lee Daly reflects on Ireland’s Euro 2012 qualification campaign

Despite the Republic of Ireland scoring four goals in their away victory against Estonia in the first leg of their Euro 2012 play-off, the most ambitious Irish performance of the night was from fan Conor Cunningham. He managed to sneak past security into the stadium and make it onto the pitch, disguised in an Estonian team tracksuit top. Cunningham sat in the home team dugout and celebrated with the Irish players after their victory. He became an overnight media sensation and made several appearances on radio explaining he was as surprised as anyone that he wasn’t found out until after the final whistle.

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Light reading

Although publishers are increasingly wary of handing out multi-million pound advances, footballers’ autobiographies remain as popular as ever. Joyce Woolridge looks at our seemingly insatiable interest in the life stories of Premier League stars

One morning in 1996 I opened a letter on the bus to work. I thought it was a bill, but instead it asked me if I was interested in writing what became Brian McClair’s autobiography, Odd Man Out. “The people at WSC suggested your name,” it concluded chummily, “please give us a call.” Which I did, nipping out to a phone box during a break.

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Stuttgart To Saipan

The Players' Stories
by Miguel Delaney
Mentor, €16.99
Reviewed by Paul Doyle
From WSC 291 May 2011

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There is a touch of Fawlty Towers about the Republic of Ireland's golden years. Not only because the main character was a lanky and rude galoot with Sybil-esque single-mindedness, nor merely because the Manuels of the FAI see to it that the country's football history often reads like the script of a hit sitcom, but also because there have been so many reruns that you wonder if there is any point in taking in another.

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A Football Man

My Autobiography
by John Giles with Declan Lynch
Hodder & Stoughton, £19.99
Reviewed by Jonathan O'Brien
From WSC 287 January 2011

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British readers remember John Giles primarily as the stocky, gifted, hyper-aggressive midfield engine of Don Revie's Leeds United. In his native Ireland, he inhabits a loftier plane as the conscience of modern football, having spent 25 years as RTE's main studio analyst.

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