Reviews from When Saturday Comes. Follow the link to buy the book from Amazon.
The inside story of Pep Guardiola’s first season at Bayern Munich
by Marti Perarnau
Arena Sport, £14.99
Reviewed by Dermot Corrigan
From WSC 334 December 2014
During the 2013-14 season Bayern Munich had 279 training sessions over 326 days, while also playing 56 official matches and 14 friendlies. The team won four of six trophies entered, but the season was not seen as a success. All this was witnessed by author Marti Perarnau while writing this book. It begins as a typical enough season diary. Perarnau is a former Olympic high-jumper and now friend of Guardiola’s, allowed daily access to Bayern’s private training sessions. The inside story includes lots of previously unpublicised detail on the tactical exercises, choreographed group moves and regular video sessions Pep uses to introduce his “game philosophy” to his new team.
The concepts involved are meticulously described in a way sure to interest tactical buffs, and probably opposition coaches, but the language sometimes goes too far. Phrases like “belief system”, “innovation” and “mission” appear regularly. His assistant calls Guardiola a “football revolutionary” who “deconstructs ideas”. The biggest tactical innovation of the season is using full-backs as “false midfielders”.
But Perarnau has not just written a book about cutting-edge football tactics or training methods. Pep Confidential works best as a character study of a worryingly obsessive individual, who appears to be driven mostly by a fear of failure. Just a month into the season Guardiola is “depressed, silent, brooding” at home, frustrated at an inability to get the players to understand his ideas. He regularly changes his mind on tactics and line-ups while preparing for big games, and gets so nervous on matchday that he cannot eat anything even before evening kick-offs. Guardiola leaves the post-match dinner late one night with his sleeping young daughter in his arms, while asking Perarnau to remind him in the morning to talk to Thomas Müller about his positioning. “I have so many doubts, I worry about everything and am secure about nothing,” he tells the author in one of many such awkward moments.
Perarnau writes that Guardiola’s “deep fear of coming under attack… was probably born during his playing career. He was physically fragile and lacked athleticism – rather on the puny side.” His friend claims such “anxiety” is overcome through “audacity”, arguing that “Pep has developed enormous courage precisely because of this fear”. But it is the fear which dominates this book.
Even Guardiola’s players appear to be concerned about their coach. Philipp Lahm says: “He’s such a perfectionist… he can never allow himself to sit back and say ‘this is brilliant’.” Thiago Alcantara says similarly: “Pep will never enjoy football because he is always looking for what has gone wrong in order to correct it.” The book ends with Perarnau saying “Guardiola’s second year [at Bayern] promises to be even more intense”. But it never seems to question whether so much intensity is positive for either Pep or his teams.
by Rio Ferdinand
Blink Publishing, £20
Reviewed by Jonathan O’Brien
From WSC 334 December 2014
At the time of writing, media speculation was rife that Rio Ferdinand’s brief spell at Loftus Road would soon be brought to an end, with QPR reportedly left cold by the 35-year-old’s efforts since he joined them from Manchester United last July. Should the press scuttlebutt be true, it will be a somewhat shabby end to what’s been an excellent career. For all his intermittent inanity off the pitch, Ferdinand remains, alongside Tony Adams, the best centre-half produced by English football since Bobby Moore.
It’s hard to tell whether #2Sides would have been a superior book had Ferdinand employed a different ghostwriter (the one he did hire, David Winner, has taken an unconventional approach to the form, as we shall see). The title, a nod to his fondness for spending hours on Twitter, immediately makes the heart sink – and for the most part, the contents are similarly disappointing. In fact, it’s less a memoir and more a succession of disparate polemics on Ferdinand’s most cherished (or, in the case of John Terry, least cherished) topics, presented with few concessions to the concept of basic chronology.
Ferdinand has been a sufficiently voluble presence in the media over the years for you to more or less know in advance what his take on each subject will be. Fabio Capello and Roy Hodgson are duly slammed. So is David Moyes for his miserable ten months as Manchester United manager, though in this case Ferdinand does leaven the harsh criticism with unstinting praise for Moyes as a person (as well as revealing that the alleged “Do it like Phil Jagielka would” exchange on the training ground never actually happened). The details of his now-terminal rift with Ashley Cole, ignited when Cole gave evidence in favour of Terry, are rendered in almost sorrowful terms.
But #2Sides suffers woefully from its utter absence of structure. No sooner has Ferdinand finished talking about the Terry racist abuse trial or the 2008 Champions League final or a title race, than we’re off into a digression about the restaurant he co-owns, or his favourite music (grime and corporate rock), or something equally thrilling. There’s even a chapter devoted solely to that Twitter account, entitled “5.7 Million And Counting”. It’s not up to much.
If you’re wondering why #2Sides has little discernible structure or cohesion, it’s worth mentioning that Winner has form for this approach. In Brilliant Orange, his award-winning 2001 study of Dutch football, the author gave the chapters random “squad numbers” for whimsical reasons. It worked very well on that occasion, but a number of his more recent books – Those Feet, Around The World In 90 Minutes – have been misfires, and so is this. Winner ghostwrote #2Sides immediately after finishing Dennis Bergkamp’s memoir Stillness And Speed, so there may or may not have been an element of racing to beat the clock.
By far the most substantial chapter comes early on, where Ferdinand explains his approach to the art of defending, going into fascinating detail about how he could “smell out” one kind of attacking danger and his long-time partner Nemanja Vidic could scent another. A penny for Tony Fernandes and Harry Redknapp’s thoughts if they read it.
The north-east, football, boom & bust
by Michael Walker
DeCoubertin Books, £16.99
Reviewed by Paul Brown
From WSC 334 December 2014
In 1960 the BBC journalist Arthur Appleton wrote a still-admired portrait of north-east football called Hotbed of Soccer. The title was apt, the book being published between Jackie Milburn’s Newcastle winning the FA Cup three times in the 1950s, and Bobby and Jack Charlton’s England winning the World Cup in 1966. The north-east had long been regarded as football’s great nursery, producing a succession of fine players and influential managers.
Yet Appleton recognised that the area’s influence on British football was waning. Its clubs were in decline and its players were leaving the region. As cases in point, Newcastle have not won a domestic trophy since the 1950s, and neither Charlton brother played for a north-east team. Even from his 1960 vantage point, Appleton was inclined to look back. “When the present has been temporarily exhausted, there is the rich past to be peeped into,” he wrote.
Fifty-four years later, Michael Walker explores that rich past, and the unavoidably depressed present, in Up There, an excellent and long-overdue social history of north-east football. From the game’s earliest years, Walker shows how the industrial north-east established itself as a football powerhouse. Cash-rich Sunderland won the Football League four times by 1902 and innovative Newcastle won the League three times, and the FA Cup, by 1910. There was a seemingly infinite stream of great players, from Colin Veitch, Raich Carter and Wilf Mannion to Stan Mortensen, George Camsell and Stan Anderson (who, uniquely, captained Newcastle, Sunderland and Middlesbrough).
Some became great managers. Brian Clough and Don Revie both grew up in terraced houses in Middlesbrough. Bob Paisley and Bobby Robson, like many of the region’s most prominent football characters, came from mining communities. As Walker discovers via a series of insightful interviews, mining and other industries were central to the success of north-east football, providing structure and stability for community teams and local players. When north-east industry took hits, so did north-east football, particularly after the wars, and then, fatally, during the brutal 1980s.
The 1990 World Cup represented something of a last hurrah. England’s starting XI included four north-east players in captain Bryan Robson, Paul Gascoigne, Peter Beardsley and Chris Waddle, plus manager Bobby Robson. By the 2014 World Cup, England’s sole north-east-born starter was Jordan Henderson. Henderson is one of the few remaining north-east players in the Premier League, with Steve Bruce the only north-east manager.
The decline of north-east football at all levels is well illustrated when Walker presents Durham FA secretary John Topping with a 1983-84 yearbook, and asks what has happened to its list of 16 youth leagues. “Gone. Gone. Gone…” replies Topping. Only two of the 16, he explains, are still around.
Walker does manage to find some causes for optimism. The pioneering Northern League is celebrating its 125th anniversary this year, Gateshead are pushing for a return to the Football League and Middlesbrough are challenging for promotion to the Premier League. At junior level, Northumberland’s Pinpoint League is thriving, catering for 12,500 young players. “It’s a mini-revival,” the Pinpoint League’s Ian Coates tells Walker. “In five years’ time I think what you’ll see are more local boys and better local boys playing for the big north-east clubs.”
The footballer who survived the River Kwai death camps
by Johnny Sherwood
Hodder & Stoughton, £20
There is a recent surge of interest in British footballers at war which may have deep and complex roots. These two titles appear coincidentally at the same time about two men whose war and lives bore remarkable similarities. Only one survived to tell his tale.
Johnny Sherwood (Lucky Johnny) was an embryonic professional at Reading, came home to a curtailed career and wrote a memoir, partly for therapeutic reasons, in later life. The manuscript was discovered last year by his grandson. Eric Stephenson (The Happy Warrior) was an established First Division player at Leeds United with two caps and was a member of the last England touring party before the war. His daughter Jan Rippin was just three when she last saw him and his death left an immense void in family life. Her loving tribute also acts as a means of easing pain.
A modern football audience needs to be alert to the difference between war books about men who happened to be footballers, rather than milkmen or lathe operators, and books about footballers who fought. These titles tread that line rather awkwardly at times because they are constructed more from the war perspective and their football content is a little sketchy.
Rippin’s account of her father is plainly written but nonetheless emotional, particularly in the latter half which deals with his war and death. She creates a picture of the kind of man we no longer seem to have: working class, inspired by books, chapel and political discussion and now memorialised in stained glass. Every last drop of available personal detail is squeezed out of the Leeds match reports but little else is conveyed about his life as a footballer. He was posted to Burma in 1942, rose to the rank of major and fought there until his death in action in September 1944.
In the very same week Sherwood came closest to death, being torpedoed and afloat in the South China Sea for 17 hours. Having been captured just days after landing in Singapore in 1942 he spent most of the next two years working as slave labour for the Japanese building the “railway of death” by the River Kwai. His fitness and status as a footballer enabled him to survive several dangerous moments and his memoir is utterly harrowing, with comrades dying horribly on every other page.
There are some footballing nuggets here and there, notably actually playing matches against the guards who treated them so badly and cautiously not winning too well. This example of football as a bridge between men, more remarkable than the Christmas Day truce match of 1914, would benefit, as would other incidents, from being highlighted in an accompanying commentary. Sherwood survived to briefly pick up his League career with Aldershot but the trauma from having played his part in what literary folk called “the greater game” stayed with him until his death in 1985.
The art & psychology of the perfect penalty
by Ben Lyttleton
Bantam Press, £14.99
Reviewed by Jonathan O’Brien
From WSC 333 November 2014
The glib explanation for the English fascination with penalties is because they lose so many shootouts and are thus mesmerised by the idea of actually being good at them, somewhat like a gormless youth trying to work out the secret of successfully conversing with an attractive woman. Of course, just as a confident man is likely to have more success in a nightclub than a self-conscious one, if they (by which I mean England players) spent less time thinking about penalties, they’d probably fare a little better at them.
Ben Lyttleton explores this theme at length in Twelve Yards, a book which covers much the same ground as Andrew Anthony’s 2000 effort On Penalties (though it’s roughly twice as long). His conversation with Ricardo Pereira, the former Portugal goalkeeper whose penalty saves knocked England out of two different tournaments, soon becomes a faintly farcical catalogue of neurosis, jittery body language and general mental collapse.
Ricardo – who memorably took off the gloves to save Darius Vassell’s effort at Euro 2004 and then blasted in the winner himself – describes Vassell as “very nervous” in the run-up, notes that Steven Gerrard couldn’t look him in the eye and claims that Jamie Carragher’s “mind was fucked up” when the defender took what transpired to be his team’s final penalty in Gelsenkirchen in 2006. He finishes by giving three simple tips to England penalty-takers: focus on the positive, don’t think about the media and forget about the history. One of these might be easier to execute than the other two.
Lyttleton’s scope is nothing if not wide. He travels to South America to interview two penalty-taking keepers, José Luis Chilavert and Rogério Ceni, who ended their careers with well over 100 goals between them. “I was always calm,” Chilavert tells him with no discernible sarcasm. “I was playing a role on the pitch… Look, I could hardly be the hero with this face!”
He meets up with Antonin Panenka, scorer of the most famous penalty ever, outside a village pub near Prague, and discovers that while the legendary midfielder is justifiably proud of the clever little chip which won Euro 76, he also feels it has overshadowed everything else in his long career. Panenka theorises that the main reason for his worldwide fame is because his name “sounds the same in any language”.
But at times, you can sense Lyttleton straining to reach the word count (the book may have had more impact at a shorter length). One entire chapter is a retelling of the France v West Germany match in Seville in 1982, translated directly from a feature in France Football – it’s a very good read, admittedly, but relatively little of it has anything to do with penalties. There’s also a small handful of very bad mistakes – to pick one at random, Spain’s legendary keeper in the 1930s was named Ricardo Zamora, not Schavio Zamora. But this is a readable study of an almost unknowable art, as long as you don’t mind stumbling over yet another graph or table of stats every ten pages or so.
by Matt Dickinson
Yellow Jersey, £20
Reviewed by Mark Segal
From WSC 333 November 2014
When a modern-day footballer steps out of line, you don’t need to go far to find a sports writer of a certain vintage bemoaning today’s young millionaires and stating with utter certainty that this would not have happened in “Bobby’s day”.
The Bobby in question is of course late England captain Bobby Moore, whose legend and legacy has ascended to a higher place in the years following his untimely death from cancer in 1993 aged just 51.
According to legend, not only was Moore gifted with fantastic footballing skills but he was also a model professional who knew and understood the responsibilities of being captain of your country. It’s these assumptions about Moore which author Matt Dickinson sets out to investigate in this new book. And it’s a task he completes in some style.
Employing a straight chronological format, Dickinson guides the reader through Moore’s formative years as the shy youngster from Barking breaks into the West Ham first team. The book then centres on the middle years of the 1960s when Moore becomes a triple Wembley winner, first with West Ham in the FA Cup and Cup-Winners Cup and then finally with England in the World Cup final, before detailing his slow decline.
While Moore’s exploits on the pitch have been widely documented – except maybe for a bizarre nine-game stint for a small Danish team in 1978 – the strength of the book lies in the way Dickinson has been able to go beyond football and find Moore’s real character.
While Moore would often be the one instigating nights out with team-mates he was always more comfortable in the role as an observer rather than a performer. Former colleagues and friends alike describe a man who you thought you knew but actually didn’t. His private nature almost acted as a shield against whatever the world might throw at him. This detached nature is perfectly described in the beautifully written chapter about his death, as his second wife Stephanie speaks of the horror on his face as she broke down in tears after being told the disease had spread and there was no cure. Bobby never liked to make a scene.
While all the usual characters from his playing days turn up in the book, Dickinson also uses interviews with some of the journalists who followed Moore’s career at a time when players treated journalists as friends who they could confide in. He also speaks to both of Moore’s wives and also friends from outside football which all helps to provide a more rounded description of a difficult man to categorise.
The way he was ignored by football after his retirement is also discussed with the author believing a mixture of class snobbery, Moore’s lack of self-promotion and links with some of the East End’s more notorious characters all contributed to a managerial career which amounted to short spells at Oxford City and Southend.
Sadly, friends describe how as he entered his 50s Moore was finally beginning to come out of his shell and open up a bit more. Unfortunately, this new and relaxed Bobby was not given a chance to flourish. The passages about his final days make for difficult reading.
As a West Ham fan growing up just a few miles from where Bobby Moore was born, I was always going to have an interest in this book. Dickinson’s achievement has been to honour the memory of Moore while also allowing us to understand that he was far from perfect.
by Maarten Meijer
Ebury Press, £14.99
Reviewed by Joyce Woolridge
From WSC 333 November 2014
“When you traced the roots of the successful teams at the 2010 World Cup, every clue pointed back to one man: Louis van Gaal.” Maarten Meijer’s carefully researched biography is not afraid to make big claims for its subject. While conceding that credit is also due to Joachim Löw, Bert van Marwijk and Vicente del Bosque, Meijer argues that the controversial coach’s influence, through his work at Bayern Munich, Ajax and Barcelona, principally shaped the personnel, playing style and tactics of three of the four semi-finalists in South Africa. The book was finished before Holland’s unexpectedly barnstorming campaign in Brazil this summer and Germany’s victory (albeit also the Spanish collapse), which might serve as additional support for Meijer’s thesis on the extent of Van Gaal’s impact on European football.
It remains to be seen whether Van Gaal’s tenure at Old Trafford will provide further proof of the genius of “one of football’s most gifted architects”. The brief coda which deals with his United appointment, while stating the obvious that the £200 million “war chest” supposedly on offer “may have been an additional attraction” for Van Gaal, goes on to make the equally obvious observation that “he needs a new defence and a new midfield”. The final paragraph speculates that United will be his last management job and “he will want to go out with a bang, knowing that this is how he will be remembered not only in Manchester but in the entire world of football”, but reserves judgment on what sort of explosion Van Gaal will cause.
Meijer’s primary purpose in writing this heavyweight, thoughtful study, following his two previous biographies of Dick Advocaat and Guus Hiddink, is to balance the media caricature of Van Gaal, the crude stereotype of a lumbering, bombastic, dictatorial ex-PE teacher, ranting at the press and indulging in eccentric and bizarre behaviour (trouser-dropping, self-penned, excruciating poetry-reading) occasionally deemed akin to madness. Like Alex Ferguson, Meijer argues, Van Gaal is a man so out of style that he has become a “poster boy for the old-school, omnipotent, teacher-knows-best style of management”. So often following the boots of Johan Cruyff, as both player and coach, he has been cast as the anti-Cruyff, whereas his work should often be seen as complementary, Pep Guardiola’s all-conquering Barcelona being an amalgam of the philosophy of both coaches. In consequence there has been serious underestimation, if not misrepresentation, of Van Gaal’s talents and achievements. The real Van Gaal is more flexible and democratic in management and tactics, more humane and caring one-to-one.
Not that Meijer’s generally sympathetic account whitewashes over Van Gaal’s failings, or the barrage of criticism he has received, dealing with both at length. The most entertaining chapter predictably concerns Van Gaal’s fractious relations with the press. As boss of Ajax, he received a deliciously pompous letter from the Dutch Reporters’ Association, complaining press conferences were being “disgraced by vulgar shouting matches. This aggressive approach perhaps guarantees success with young, docile players but it is inappropriate at a press conference at which adult people are present”. At the next conference, in classic teacher mode, he asked those who signed it to put up their hands. Not one “adult” person did.
As a compatriot, Meijer could perhaps be forgiven his own excursions into national stereotypes. Van Gaal, he says, must be fundamentally understood as a typical Amsterdamer and Dutchman – hardnosed, unshakeably convinced he is right, highly focused, pig-headed, difficult to get along with and rebellious. Or as one journalist put it more succinctly: “An asshole, but certainly a competent asshole.”
The story of
by John Harding
Empire Publications, £16.95
Reviewed by Mike Ticher
From WSC 332 October 2014
If you had to choose one player to encapsulate the Edwardian football world, you would be hard pressed to do better than Billy Meredith. In an extraordinary career, which ended in 1924 FA Cup semi-final defeat at the age of 49, the celebrated Welsh winger was central to many of the era's key moments.
He scored the winner for Manchester City in the 1904 FA Cup final, then won the League with Manchester United in 1908 and 1911, and claimed another Cup winner's medal in 1909. He was with United when Old Trafford opened in 1910, and back with City when they moved to Maine Road in 1923.
But Meredith's greater significance lies in his turbulent relationship with clubs and the football authorities, and his key role in setting up the Players' Union, the forerunner of the PFA. In 1905 he was suspended for a year after the FA found him guilty (in a closed inquiry) of trying to bribe an Aston Villa player to lose the final game of the season. Incensed by City's perceived failure to support him, Meredith spilled the beans on bonuses the club had been paying in breach of the recently introduced maximum wage. The case devastated City, sparking the departure of Meredith and several others to United, and cemented Meredith's hostility to the hypocrisy of the system, as well as personal bitterness over money that would last until he died, a poor man, in 1958.
The suspension helped drive Meredith to re-establish the union, which collided head-on with the FA in 1909, when the whole United team was suspended for refusing to sign contracts that effectively meant disowning the union. Its fledgling power was broken, but its structure survived to give birth to the PFA, which finally defeated the maximum wage and the iniquitous retain-and-transfer system in the early 1960s. As the postscript to John Harding's book notes, it was not until the Bosman ruling that Meredith's full vision of contract freedom was realised.
As if all that were not enough, Meredith was also involved, though not implicated, in the 1915 fixed match between Liverpool and Manchester United, for which eight players received life bans – the final scandalous blast of United's years as a "rebel" club of stubbornly confrontational players.
Harding's groundbreaking biography was first published in 1985, and has worn well with little amendment. Without over-elaborating, he sketches a rounded portrait of Meredith's complex personality, rooted in his Methodist upbringing in the mining village of Chirk. Meredith's rigorous attitudes to fitness, work, industrial solidarity, Welsh nationalism and alcohol (he was a teetotaller, despite running pubs in retirement) are neatly teased out in that context.
But there is still room for a fascinating broader picture of Manchester football in a tempestuous phase of its development, and thoughts on how Meredith's playing style meshed with the tactics of the day – in curmudgeonly old age he scorned the new-fangled ways of whippersnappers such as Stanley Matthews.
Meredith complained that the Edwardian FA treated the professional footballer as "a mere boy, or a sensible machine or a trained animal". Harding's work is far from a dry polemic or hagiography, but a timely reminder of how the players' struggle to overcome that contemptuous attitude began.
My life from left field
by Kevin Sheedy
Reviewed by Mark O'Brien
From WSC 332 October 2014
Paul McGrath and Tony Cascarino's autobiographies are renowned as two of the most caustic and revealing footballing books in recent times. Their former Republic of Ireland international team-mate Kevin Sheedy has written his life story now but anyone expecting soul searching in the same vein as Back From The Brink or Full Time is likely to be disappointed.
Sheedy's story is told in a fashion that could most politely be described as "breezy". From a youngster at Hereford to a bit-part player at Liverpool before becoming a key part in the all-conquering Everton side of the mid-1980s – then rounding off his playing career at Newcastle United and Blackpool – it's all dealt with in the same cheery, almost matter-of-fact fashion.
It's quite an old-school approach, even throwing in some "any other business" chapters near the end, where Sheedy gives his opinions on the perils of social media facing today's young players and picks a best XI from his former Everton and Ireland team-mates. Among that throwaway page-filler then it's a shock to come across a section which deals with his recent treatment for bowel cancer. A more modern style might have made that the touchstone for the whole book, reflecting on his career in the light of the grave news of his illness, but maintaining the light-hearted tone Sheedy concentrates instead on a nurse pulling back the sheets following his operation and declaring: "Oh my god, they've cut your cock off!"
He comes across as a thoroughly nice fella then, but it feels like a bit of a missed opportunity. While Evertonians have probably read just about everything it's possible to know about Rotterdam and the League wins under Howard Kendall, Sheedy was privy to the break-up of that great side and the start of the club's decline and it would have been illuminating to know more about that process. He was in fact part of an infamous incident that is seen as emblematic of the chaos that reigned at Goodison during Kendall's second spell in charge, when he had a fight with Martin Keown in a Chinese restaurant. He brushes it aside though, blaming his behaviour on the fact that he was unaware that the players had been buying him glasses of wine when normally he only drank it with soda. Seems plausible.
He tells his own collection of Jack Charlton anecdotes too – the Ireland manager left him out of a squad altogether for a match and then added insult to injury by trying to send him on as a sub – and the Italia 90 section is probably the best bit of the book.
The title, by the way, refers to an incident at Goodison in March 1985. Sheedy lashed a free-kick past Ipswich's Paul Cooper and into the top-right corner. When ordered to be retaken he simply placed it in the top left. So good he did it twice. Unfortunately though, once is more than enough when it comes to reading his book.
The rise of fan ownership in English football
by Jim Keoghan
Pitch Publishing, £12.99
Reviewed by Tom Davies
From WSC 332 October 2014
It is surprising that the rising supporter activism of the past three decades – from the inky anger of 1980s fanzines to the thoughtful campaigning on governance and club ownership of the supporters' trust movement – has not been more widely chronicled. Jim Keoghan has made one of the few readable stabs at drawing all these stories together in Punk Football, which traces how fan protest has shaped the game in recent times, including where it has failed and the formidable forces it is up against.
With a useful introductory section looking at the history of how English football and its clubs came to be organised as they are, with the transition from members' clubs to private companies that accompanied the rise of professionalism and mass spectatorship at the back end of the 19th century, Keoghan rightly places the structure of clubs at the centre of the story. So developments such as the abolition of the maximum wage, the formation of the Premier League and Bosman are given full acknowledgement.
Many of the stories here will be familiar enough – the anti-bond scheme protests at West Ham United in 1991-92, the fight to stop Rupert Murdoch's takeover of Manchester United, the formations of FC United and AFC Wimbledon, meltdowns and fights back at Brighton, York, Portsmouth and elsewhere – but Keoghan has done an impressively exhaustive research job in talking to key protagonists about how the idea of supporter control, at club level if not, alas, at national administrative level, has taken root.
He's not blind to where things have gone wrong – a chapter is given over to failures of varying degrees at places such as York, Notts County and Stockport, though it is debatable whether we need the one on where directors have done right by their clubs. Many of Keoghan's interviewees also concede the underlying tension between those fans who care only about results and those prepared to be more political about it.
He looks abroad too, at the strengths and occasional weaknesses of fan ownership in Spain, Germany and Sweden, acknowledging the underlying economic and political explanations for these developments, such as the much later arrival of professionalism in Germany. That many fans in Sweden have rallied to the defence of their own model despite a lack of big club success in Europe that might have prompted a frantic dash to turbo-charged commercialism is also noteworthy.
At times it's unclear whether Keoghan, an Everton fan, is writing for an uninitiated or deeply committed audience – do we really need the Bill Shankly "life or death" quote, the introductory blurb about the nature of fan loyalty or the apparent astonishment that a League Two game is as passionate and committed as a top Premier League encounter? In light of this, editing errors that have Rochdale and Exeter at points given the suffix "United" to their club names jar. The absence of any significant discussion of Hillsborough – the single most momentous event around which the late 1980s/early 1990s fanzine and activism boom took place – also seems curious.
The phrase "Punk Football" itself, too, woven liberally through the text, also feels a little forced. If we're going to run with music analogies, supporter activism is now deep into its post-punk phase, the initial outpouring of unfocused anger and energy having made way for something much more creative and influential. But these quibbles do not detract from the fact that this is an important book, well balanced and accessibly written, and a very handy primer for those looking for an easy account of how organised fandom has evolved, and what they themselves can contribute. To run with the punk metaphor and paraphrase the famous 1977 fanzine rallying call, this is one football club's story, this is another, this is a third – now run your own one.