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Search: 'Roman Abramovich'

Stories

WSC 419 out now

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April issue available now online and in store

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The Billionaires Club: The unstoppable rise of football’s super-rich owners

368 Billionaires

by James Montague
Bloomsbury, £16.99
Reviewed by Paul Rees
From WSC 368, October 2017
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Quiet Leadership

356 AncelottiWinning hearts, minds and matches
by Carlo Ancelotti, with Chris Brady and Mike Forde
Portfolio Penguin, £16.99
Reviewed by Ed Wilson
From WSC 356 October 2016

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The authors of this book – Carlo Ancelotti, Chris Brady and Mike Forde – aspire to something more profound than the score-settling, indiscretions and self-justifications of the typical sports memoir. Instead, they hope to offer the general reader an insight into how “an expert practitioner” in “one of the most competitive markets imaginable” can be “instructive for anyone in modern business”. What results is an awkward hybrid that is unlikely to satisfy readers hoping to move up the management chain, or those who are simply interested in the game of football (frequently referred to in this text as “the product”).

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Commitment

348 Drogba400My autobiography
by Didier Drogba
Hodder & Stoughton, £20
Reviewed by Si Hawkins
From WSC 348 February 2016

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A couple of lines late in Didier Drogba’s autobiography really drive home that this isn’t your average burly striker life story. “On November 2009 I teamed up with Bono to help launch an initiative with Nike on the eve of World Aids Day,” Drogba recalls, before rattling through his UN work, including “mobilising people to eradicate the use of cluster bombs/munitions”. Clearly we’re in a different ballpark to, say, Micky Quinn’s Who Ate All The Pies.

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January Window

340 Januaryby Philip Kerr
Head of Zeus, £14.99
Reviewed by Robbie Meredith
From WSC 340 June 2015

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Despite the relatively recent success of David Peace’s The Damned United, football, given its prominent position in many people’s lives, has always been under-represented in fiction. Partly this is due to most of the extensive media coverage of the game being a form of story-telling itself, but it’s also the fact that the collision of the two worlds often feels so unsatisfactory on the page. Peace, successfully if somewhat controversially, wrote a fictional interpretation of actual people and events, but Philip Kerr decides to insert his central character and an imagined team – London City – within the existing reality of away games in Newcastle and tactical battles against Sam Allardyce.

Kerr is best known for a long, and very good, series of thrillers set in Nazi Germany, but he has a specific set of problems to tackle in using modern football as a backdrop. His flawed hero is Scott Manson, a rising coach at City, who are themselves a franchise team, a high-flying Premier League version of MK Dons. When manager Joao Zarco – a charismatic, aggressive, lyrical Portuguese – is found dead in City’s east London stadium, Manson is invited by the club’s hard-nosed Ukrainian owner both to take over the team and to investigate Zarco’s killing. The Arsenal Stadium Mystery is mentioned twice in the novel, and there’s more than a hint of a Gunners fan’s – which Kerr is – fantasy in imagining such turmoil at a fictional parallel of the Chelsea of José Mourinho and  Roman Abramovich.

There are some obvious tensions in the narrative. Manson is a black, former top player with Arsenal and Southampton, whose playing career ended prematurely after he was wrongly convicted of rape. He is occasionally misogynistic, but is also educated to degree level, has a detailed knowledge of modern art, is fond of quoting Aristotle after sex and, in his fledgling coaching career, has already worked at Barcelona and under Pep Guardiola at Bayern Munich. If anything, he’s too rounded a character.

This is presumably because Kerr has decided that his audience are either going to be devotees of his previous work who know little of football and view it with distaste, or fans drawn to a rare novel about their passion. As a result, there are regular, and sometimes grating, narrative digressions, especially in the first half of the book, so that Kerr can explain some facet of the game to a reader who knows little of football or its history.

Despite this, January Window just about carries it off, mainly because Kerr is such an adept plotter and because he’s on surer ground as the quest to find Zarco’s killer comes to dominate the narrative. It’s an effective thriller, with numerous potential suspects, red herrings and a seemingly insignificant detail which leads to the case being solved, while revealing little about football that a literate supporter will not already know.

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