By Andrea Pirlo

329 PirloReading this autobiography of a playmaker nicknamed "Mozart" is like going to the opera: some bloke comes on and sings very loudly in Italian at you for a couple of hours, it's all very dramatic and enjoyable, but you don't always know quite what's going on. In no discernible order, its voluble and intelligent subject, who "has an opinion about everything and I'm not ashamed to express it", launches into an erratic, extended and idiosyncratic monologue. There are even (mostly much needed) footnotes to explain some of the passing references, although glossing ultras as "the self-styled, most passionate, vocal and committed supporters" was probably unnecessary. Read more

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