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The way the BBC flagged up Alex Millar’s exposé of bungs in football like an overexcited linesman may have been an attempt to reflate the reputation of the beleaguered Panorama, or because they had struck serious dirt. The lack of advance tapes heightened the air of expectation. It was enough, evidently, to unnerve Harry Redknapp, who protested that he was an astonishing “one million per cent” clean as a whistle and any attempt to suggest otherwise would incur his legal wrath. In the event, all they had on Harry was footage of him putting up a jowly stonewall as he was offered a free trip to the 2006 World Cup to view some players. “Sounds fantastic,” he remarked, non-incriminatingly. What could he possibly have been worried about? The secretly filmed scenes with Redknapp occurred at the climax of the programme and were so unrevealing that the immediate verdict on the programme was generally negative. A damp squib. No smoking gun. Nothing we didn’t know already. Certainly, investigative programmes such as Panorama are up against it nowadays, not least because, post The Day Today, they can’t escape looking like parodies of themselves. Millar’s self-important voice-over often made you twitch with mirth; as when agent Peter Harrison rejects a £150,000 offer for an academy player in his charge. “Even that sort of money wasn’t enough for a 15-year-old boy,” snorts Millar, as if Harrison were engaged in child male prostitute trafficking. From WSC 237 November 2006. What was happening this month On the subject...
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