Search: 'Dukla Prague'

Football has changed in many ways since the 1960s but one rule hasn’t. For many, including Seb Patrick, away goals continue to confuse and annoy

On message boards, phone-ins and WSC letters pages alike, the refrain is a familiar one. “Why, oh why, do commentators insist on saying during a European tie that ‘away goals count double’? If they counted double then a team that lost 3-2 away from home would be considered to have won 4-3!”

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Sam Beckwith remembers the 1997 Czech cup final between Dukla Prague and Slavia Prague which started Dukla's fall from grace

There’s a growing trend to sentimentalise the years of communist rule in the Czech Republic, with pro­paganda-bedecked cafes popping up on Prague streets and old newsreels running on TV. So far, however, Dukla Prague have escaped the trend. One of Czech football’s most famous names disappeared in 1997 with more of a whimper than a bang, and there are few signs that it’s about to be rehabilitated.

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Simon Evans tells the tale of how he co-wrote The Rough Guide to European Football

The Hungarian train conductor thought we were two very strange young men. Two Englishmen sat in a train travelling to see Videoton, UEFA Cup finalists in 1985, in a relegation play-off in Salgotarjan, a small ex-mining town in the depressed East of Hungary.

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As part of WSC's tenth anniversary, Richard Newson rummaged through the connections between football and music 

As a Sounds writer in the ’80s I met lots of rock artists. Many of them, like me, had been born in the early or mid 1960s. Very often, after a long hard interview, we’d end up talking football. Again and again these musicians told me how, for them, the game became less important when punk arrived in 1976-77 and made pop exciting again.

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Dear WSC,
Mickey Parker’s point in WSC No 107 that most football songs require the player’s name to contain four syllables may well be connected to the fact that most popular music is in 4/4 time. (Tom Jones’ Delilah, of course, is a notable waltz-like exception, but what self-respecting footy fans would have any truck with that kind of a limping rhythm?) What concerns me is the rather worrying notion that a player’s whole popularity – and hence his career – can depend on the singability of his name.
This first struck me at Wembley last season when Paul Tait’s winning goal (OK, it was the Auto Windscreen Shield) was greeted with a rousing chorus of ‘Super, Super Kev, Super Kevin Francis . . .’.Last season at Birmingham we had a player called José Dominguez who used to run around a lot, then fall over and lose the ball. The crowd loved him, and I’m sure it had a lot to do with the pleasure to be had from a rousing chorus of ‘José, José, José, José’. On the other hand, Jonathan Hunt became the first Blues player to score a hat-trick in ten years and there was never a hint of a hum in his general direction. Some players can get away with just having an extra superfluous syllable thrown in (‘Stevie Claridge, there’s only one Stevie Claridge’), but others simply can’t: the unsingable Alberto Tarantini managed a mere 24 games for us in the seventies. I suggest that any rhythmically challenged player at the start of their career should seriously consider sitting down with their agent and coming up with suitable alternative names that will guarantee their popularity with the crowd. Pop stars have been doing it for years, and if Savo Milosevic doesn’t do something soon, it’ll end in tears. In the meantime, perhaps WSC readers could write in with suggestions for a suitable song that incorporates the words ‘Jonathan’ and ‘Hunt’. Then again, perhaps not.
John Tandy, Birmingham

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