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Search: ' Patrick Vieira'

Stories

From the archive ~ Three England youth stars who never lived up to expectations

Playing for England at youth level doesn’t always herald a glittering future. In June 2003 we looked at the stuttering careers of Kevin Gallen, Stephen Hughes and Darren Caskey

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GoodFella

321 BellamyMy autobiography
by Craig Bellamy
Sport Media, £18.99
Reviewed by Rob Hughes
From WSC 320 October 2013

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As his old boss Mark Hughes points out in the foreword to GoodFella, Craig Bellamy has a lot of strengths but diplomacy isn’t one of them. It’s an approach that’s landed him in all shades of bother throughout a nomadic career, from the “nutter with a putter” spat with John Arne Riise to brawling with bouncers outside nightclubs. It’s all laid bare here, though the real selling point of this highly engrossing memoir (written with the Daily Mirror‘s Oliver Holt as guide) is Bellamy’s frank and often painful honesty. Especially when it comes to himself.

It’s unflattering stuff. Here is a man utterly consumed by football, driven by insecurity and a will to succeed that frequently veers into self-admonishment. Such intensity, he says, turned him into “the human snarl”. Dogged by repeated knee injuries, he’s sulky and uncommunicative, especially with his wife and kids. He admits to infidelities. And during his final days at Newcastle he becomes obnoxious and arrogant.

The watershed moment comes in November 2011, with the suicide of his idol and close friend Gary Speed. Cue a rigorous stock-take of his life and destructive personality, followed by therapy with British Olympic psychiatrist Steve Peters. Bellamy finally allows himself to let go of his rage. By then it’s too late to save his marriage but what emerges is a more forgiving, open and ultimately contented character.

Not that Bellamy was ever a footballing pariah – there are plenty of former team-mates who vouch for him both as a human being and professional – but GoodFella doesn’t hold back when it comes to those he disliked. Graham Poll comes across as a self-serving “celebrity ref”, starstruck by David Beckham and Patrick Vieira. And while Bellamy cites Bobby Robson as the best manager he ever worked with, his successor Graeme Souness is the iron fist who came in looking for a fight.

Both Rafa Benítez and Roberto Mancini are portrayed as joyless control freaks, the former an “unsmiling headmaster” with no room for spontaneity or sentiment, an attention-seeking dictator. City’s Brazilian folly Robinho is appallingly lazy, both in training and on the pitch, and a spoilt man-child when Bellamy confronts him about it.

Perhaps the most damning verdict is reserved for one-time Newcastle strike partner Alan Shearer, who is seen as a self-absorbed egotist with a yellow streak. Bellamy gleefully recounts the England man’s reluctance to leave the pitch after a game against Manchester United, knowing that Roy Keane (who’d been sent off for a Shearer-related fracas) was waiting in the tunnel. And after hearing he’d supposedly dissed him to others after moving on to Celtic, Bellamy texts Shearer directly after Newcastle’s lame FA Cup semi-final defeat in 2005: “Fucking typical of you. Looking at everyone else yet again. You need to look at yourself instead.” Shearer threatens to knock him out next time he’s in Newcastle.

All of this serves as a thoroughly refreshing antidote to the usual blandness that makes for football biographies. But GoodFella is far more substantial than just a series of delicious anecdotes. It feels like a rich confession from one of the game’s most misconstrued personalities.

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Arsenal: The French Connection

313 ArsenalHow the Arsenal became l’Arsenal
by Fred Atkins
GCR Books, £18.99
Reviewed by Damian Hall
From WSC 313 March 2013

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There can’t be many football clubs that have a stronger connection to a foreign country than Arsenal do with France. Since Arsène Wenger took over, 23 French footballers have played for the Gunners – often in teams without an Englishman. Between September 10, 1996 and November 1, 2011 the club played only two competitive fixtures without a Frenchman in the team, both of which were experimental line-ups for relatively meaningless fixtures (and one included an unused French sub).

There’s a story to be told here and Fred Atkins is in a good position to tell it, having lived in France and studied at university in Strasbourg, the city where Wenger grew up and gained his oft-mentioned 
economics degree.

The book is logically divided into a chapter for each player and lengths wisely vary – you wouldn’t expect Patrick Vieira to get the same amount of coverage as Gilles Sunu. There’s a foreword by Gilles Grimandi, in which he self-deprecatingly confesses his one Arsenal goal was a mishit cross, but unfortunately there are no fresh interviews. Though tracking down all 23 men would have been a huge job, it means there’s little new here about the players’ times at Arsenal, bar occasional quotes translated from interviews with the French press.

The book’s interest comes largely from the players’ pre-Arsenal careers, such as the comical litany of bureaucratic errors by French football officials, one of which meant William Gallas couldn’t play first-team football for half a season at Marseille. No wonder his tantrums started long before his move to Arsenal. Many chapters are reminders that players’ foibles – Abou Diaby’s injuries, Mathieu Flamini’s perceived disloyalty – were there before they moved across the Channel. Some may enjoy the news that, while playing for Lorient against Bordeaux, Laurent Koscielny was once sent off for fouling future team-mate Marouane Chamakh and the obvious quips it encourages.

The Emmanuel Petit chapter stands out. His life has not been that of the average footballer: he’s struggled to deal with the death of his brother, depression, the USA 94 qualification failure (he played left-back in the defeat to Bulgaria) and periods of debauchery. Atkins also claims Petit drank and smoked throughout France 98. Perhaps more startlingly, after joining Barcelona, manager Lorenzo Serra Ferrer asked him what position he played. Petit almost joined Manchester United instead of Chelsea – and wishes he had.

However, Atkins’s tone is unashamedly parochial. There are puerile digs at Alex Ferguson, a tedious and paranoid rant about refereeing decisions and, apparently, Jacques Santini’s judgment should be questioned simply because he managed Tottenham, while crass speculation on Thierry Henry’s marriage breakdown belongs to the worst of the tabloid press.

Some bigger questions, too, go begging. Has Wenger systematically favoured French players over English players? If so, why? Should Le Prof still be recruiting heavily from Ligue 1 when the French national team are no longer pre-eminent – and when Alan Pardew seems better at it. And how has Wenger’s English seemingly got worse, “a little bit”, over the years?

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Thierry Henry

310 HenryLonely at the top: 
A biography
by Philippe Auclair
Macmillan, £17.99
Reviewed by David Stubbs
From WSC 310 December 2012

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“I don’t recognise myself in the players I see today,” George Best said in his very last interview, conducted, as it happens, with Philippe Auclair himself. “There’s only one who excites me, and that is Thierry Henry. He’s not just a great footballer, he’s a showman, an entertainer.”

Henry, however, is not exactly in the Best tradition. He has both more and less about him than the ultimately ruined Manchester United superstar. Henry’s sheer quantity, as well as quality, of achievements at both league and international level dwarf Best’s but for all that he hasn’t quite blazed in the firmament in the same way. A lifelong teetotaller, he yields little or nothing in the way of a volatile private life, while his personality ranges from affable to aloof. For all those va-va-voom ads, he is simply not as scintillating a character off the field as he was on it in his prime. Maybe that’s why there has only been one full-length study of the player published in the UK – Oliver Derbyshire’s Thierry Henry: The amazing life of the greatest footballer on earth – a book as abysmal as its title, almost Piers Morganesque in the low it sets in Arsenal-related discourse.

Auclair admits not being drawn to Henry the way he was to Eric Cantona, his pre-
vious subject in the acclaimed The Man Who Would Be King. However, Lonely At The Top is probably about as shrewd and in-depth a profile as we’re likely to get of Henry, who seems to have been moulded by the drive of his father, a highly influential figure in his life until he made a botched attempt to effect a transfer for his son to Real Madrid. The book tracks his development from a speedy but slight youngster reluctant to track back to the machine of panache he was at Arsenal. Auclair adds his own flourish with allusions to the likes of Philip Larkin and Gustave Flaubert which will raise the blood temperature of the compiler of Pseuds Corner but otherwise will only distract the most determinedly Philistine reader.

Auclair poses questions he’s not always able to answer, such as why Henry never seemed to get along with Zinedine Zidane and truly fulfil his potential at international level, or why Arsène Wenger is so beset at times with tactical ineptitude despite his success at Arsenal. Viewing matters from a French perspective, he regards Henry’s fateful handball against the Republic of Ireland as an unfortunate crowning moment in his career given the probably unfair antipathy it triggered against him, though Arsenal fans in particular would hardly see this as quite so defining of the player.

The access he has had, some forbidden to UK journalists, does yield insightful, incidental nuggets along the way: into the character of Emmanuel Petit, for instance, profoundly affected by a personal tragedy; Patrick Vieira’s excessively informative quote that the cheers of the Highbury throng gave him “a hard on”; as well as the partying habits of the French squad in the 2002 World Cup. This occasionally gives the impression that, fine and thoughtful as Lonely At The Top is, its author would secretly prefer to be writing about somebody or something else.

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Big six?

Cameron Carter explores how the concept of a Big Four is no longer enough

Consensus is a hard thing to come by. How, for instance, can we begin to arrive at agreement on the true source of the riots around England when the Football Focus team cannot even decide how many teams make up the Big Four? It used to be easier when it was just Manchester United, Chelsea, Arsenal and Liverpool. They were our Tesco, Sainsbury’s, Asda and Morrisons. There was no ambiguity at this time, no indecision. But the Premier League, like the world outside, has become a more complex place.

At the start of Football Focus on August 13 the concept of a “top six” was given its first airing, presumably constructed by BBC imagineers from the previous top four plus Manchester City and Spurs, while later in the same programme Eric Cantona was asked how he thought the “top five might finish”. There was still time before the end for Patrick Vieira to question how Wolves would do this season against the “top four or five”.

This matter had not been cleared up by the following Saturday, when Rafa Benítez considered how Everton would compete with the “top six”. It seems unfair that Everton have to face up to two more top clubs – that is, four more top games – than Wolves this season. One solution, albeit in an already crowded fixture list, is a pre-season mini-league featuring the nominal Big Six, to decide which teams are entitled to be formally named as the Big Four.

Otherwise, the worst case scenario here is that the Big Four expands incrementally, as more overseas investors buy into Premier League Sleeping Giants, until we have a ‘”Big 11″ by the end of the decade. At the point that numbers in the elite pool are greater than those outside it, we should all go down to the sea and wait for the world to be cleansed with fire.
For those of us awaiting the annual glory that is Lineker’s Marvellous Line, there was a credit-crunch, own-brand disappointment this year. Generally, before the theme music of the first Match of the Day of the new season, Gary stands before us in a glossy black shirt and, with dancing eyes, unleashes an adrenalin shot in the form of a carefully sculpted sentence prepared for him by a team of resting novelists.

Barry Davies started the big curtain-raiser soundbite trend with his Rupert Brooke desecration: “Stands the clock at ten-to-three/and is there football still to see?” Since then, twinkly Des Lynam, followed in turn by the lad Lineker, made a point of letting us know that they, like ordinary people everywhere, were simply treading water all summer until a thrilling new football season began.

This time, however, Gary was seated, not standing, and his eyes before he vocalised spoke of a terrible new maturity, learned possibly from accidental exposure to non-sports-based world news on his satellite television. All he said was “It’s been an awfully long summer” before introducing his sidekicks and the games as if it were any old Saturday. The absence of knowingly familiar expectancy-building in this welcome was somehow more disheartening than all the other cuts so far imposed on the UK’s population since the general election. It is surely but a short step from excising unnecessary opening-day vivaciousness in our flagship terrestrial football programme to banning all forms of dance, theatre and social dieting as unpatriotic fripperies.

Dan Walker’s mania for dragging the Football Focus cameras around dressing rooms continues apace. On the opening morning of the season, to demonstrate possession of the Access All Areas wristbands, he swanned into the Brighton dressing room where he was rewarded with the sight of 13 Brighton players seated around the bench studiously reading the match programme. You might think the point of going backstage is to show a fly-on-the-wall slice of life, to give your viewership a rare glimpse of the daily lives of the men they only otherwise get to see on the pitch, on television or, very rarely, in the flesh, flushed with refreshment and demanding that the manager of the country club sets up the karaoke.

But no, Dan stole behind the scenes to discover a carefully stage-managed tableau of young men with heads bowed wonderingly over a difficult text, not dissimilar in composition to Rembrandt’s Anatomy Lesson of Dr Nicolaes Tulp. It was a lovely image, but surely with Robbie Savage in the same room, there would more naturally be towel-flicking and banter containing sexual swear words? A bit of advice, young Walker – if you are going to barge in on somebody, make sure they are unprepared. 

From WSC 296 October 2011

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