I dunno, I haven't seen any of these interviews so I'm a bit oblivious to all this. When I interviewed him, he didn't slag off Marco at all. He just failed to mention him. (Which tells its own story, I guess.)
I like the bloke and wish him well. I hope they become chums again even though I felt left out when they were having constant giggling phone conversations all the bleeding time.
Anyway, I will probably go to Wilton's, so may see you there.
I don't want to hammer this home, but just so you know what I'm on about, here are the pair discussing the writing process re. Stand and Deliver, a couple of years back.
‘We wrote Stand and Deliver and Prince Charming at the same time,’ says Pirroni. ‘Before I even picked up the guitar, I knew they were going to be No.1. That wasn’t me being arrogant. In my head it was just a fact.’
He recalls going round to Adam’s house in Kensington to write Stand and Deliver.
‘Adam already had this idea about a highwayman. He’d gone off in the kitchen to make some tea and by the time he’d come back I’d come up with the “galloping” verse. The verse is the same as the chorus, but there is a little descending bit which he came up with. And then there’s the verse and different key for the guitar solo. Adam came up with the “Da diddley qa qa” lyric. He’d had that line knocking about for ages.’
Adam picks up the conversation: ‘Marco and I wrote the music together and I wrote the lyrics and top line. My inspiration for the song came from the idea of the heroic English antihero highwayman holding up a stagecoach, but stealing people’s attention instead of their valuables.
‘We had a very traditional and stripped down approach to writing songs. We would go in a room, with two acoustic guitars at the ready and a small dictaphone recorder. Then we’d take it into a 16- track demo studio in Denmark Street to lay down a loose but solid structure. We never wrote in the studio. Time was money and we didn’t have any to waste. This discipline has stayed with me to the present day.’
It was Adam who also came up with the concept and imagery for the band’s videos, as well as their lyrics, both of which would complement Marco’s idiosyncratic riffs.
Compare and contrast with a recent Adam interview on the Guardian website.
We shall see .. He's been holding it very well together recently and apart from the odd rant and the Napoleon/Nelson thing, not acting any "madder" than most. Than most lead singers, anyway.
There are 18 dates planned at the moment, not all announced yet.
Monk, who runs the site, doesn't like to put anything on there until it's definitely definite, as there have been some false starts. The visa application is "in hand", apparently, and there will be full refunds if the gigs don't happen. It would be a shame if people missed out because the tickets sold out before it was all confirmed.
Well yeah, me too, as people have been turned down for far more trivial (non violent) offences. But the state of mind bit comes in if he gets the visa, then has to go through airport procedures and questioning.
Tickets on sale for many major cities including NYC and SF, selling quite fast. No news on visa front.
I'm glad to see he's been playing what appears to be a genuinely new song in his set, Vince Taylor (although possibly drafted long ago) - the other "new" songs that have been played around are old songs he co-wrote with MP.
Meanwhile Marco "I'll never play live again so don't ask me" Pirroni played some of their co-written hits live with Terry Lee Miall at the Ant Convention on Saturday, to great acclaim (there's a review on John Robb's Louder Than Bombs blog). Hmm.
MsD wrote: I'm glad to see he's been playing what appears to be a genuinely new song in his set, Vince Taylor (although possibly drafted long ago)
That's nothing like Just Like Vince Taylor, the B-side to Golden Earring's Radar Lover is it?
The US tour is OFF. Don't think anyone here got tickets, altho Mr Fatbastard who posts on here was quite keen. He'd sold out some pretty big venues, they'll all issue refunds.