To JV - Very possibly not, That doesn't mean its exploration of moral issues and questions is in any way inferior.
Don't get me wrong, if I want existential problems, it's all about Bergman. Dark Knight isn't even on the radar. Kurosawa's great, and thoroughly epic, but really only has application to real-world morality by generous analogy. Like Homer, or the Shakespeare he borrows so much from, it's work of great moral complexity, but which is concerned with the moral standards and concerns of vanished ways of life, ones largely alien to us now. The Dark Knight brings the same complexity and depth, but it's entirely and utterly of its time.
Yep, jv is right, Memento is still the film by which to remember Christopher Nolan. The Dark Knight was just Heath Ledger away from being just another (good) superhero movie.
Memento? Really? I thought that was rather tedious. I'll have to give it another go.
The My Family skit of Memento was far funnier than any My Family episode has a right to be, although it must've been lost on 90% of the audience and it certainly wouldn't have been funny unless you'd seen the film.
I got news for you. Dark Knight will never be mentioned in the same breath as Seventh Seal or Cries and Whispers.
It's a completely different kind of cabbage though. Given the numbers of fingers in the pudding, no Hollywood production is ever going to produce as personal a vision as Bergman's or most of Kurosawa's did. It's like comparing a small press book of poetry with the latest Robert Ludlum novel. I mean if you must make those comparisons it'd be fairer to contrast The Dark Knight with Tora, Tora, Tora! Kurosawa's disastrous brush with Hollywood.
QUOTE: Memento is great, but there's not a great deal to it beyond the structural pyrotechnics, superb as they are.
Oh I dunno, the fact that rather than memory keeping him in the past (as is traditionally perceived), lack thereof was keeping him in the past, was quite an interesting idea to explore. (He could never move on because he couldn't remember having moved on.) Memento got my mind working far more than anything posed by The Dark Knight.
I don't think the ethical dillemas in the film are supposed to be especially vexing. I think the point is to creat interesting characters by showing how different characters respond to the challenge that face them.
My favorite movie ever is Fargo. Certainly, what is right and what is wrong is very clear in that story, but I don't think that makes the characters or their choices less interesting.